Detail of The Adoration of the Magi by Bosch in th…
Detail of The Adoration of the Magi by Bosch in th…
Detail of The Adoration of the Magi by Bosch in th…
Portrait of a Man by the Circle of Van der Goes in…
Portrait of a Man by El Greco in the Metropolitan…
Landscape with a Village in the Distance by Van Ru…
Detail of a Landscape with a Village in the Distan…
Detail of a Landscape with a Village in the Distan…
The Family of Mr. Westfal in the Conservancy by Ga…
Detail of The Family of Mr. Westfal in the Conserv…
Evening: Landscape with an Aqueduct by Gericault i…
Detail of Evening: Landscape with an Aqueduct by G…
Detail of Evening: Landscape with an Aqueduct by G…
Alfred Dedreux as a Child by Gericault in the Metr…
Detail of Alfred Dedreux as a Child by Gericault i…
Detail of Joan of Arc by Bastien-Lepage in the Met…
Detail of Joan of Arc by Bastien-Lepage in the Met…
Detail of Joan of Arc by Bastien-Lepage in the Met…
Detail of Joan of Arc by Bastien-Lepage in the Met…
Detail of Joan of Arc by Bastien-Lepage in the Met…
Detail of Joan of Arc by Bastien-Lepage in the Met…
Richard Humphries, the Boxer by John Hoppner in th…
Detail of Richard Humphries, the Boxer by John Hop…
Detail of The Adoration of the Magi by Bosch in th…
The Adoration of the Magi by Bosch in the Metropol…
Detail of Queen Mary of Hungary Attributed to Corn…
Queen Mary of Hungary Attributed to Cornelisz in t…
Katharina Merian Attributed to Brosamer in the Met…
Madonna and Child by Bellini in the Metropolitan M…
Cultic Relief from Palmyra in the Louvre, June 201…
Cultic Relief from Palmyra in the Louvre, June 201…
Cultic Relief from Palmyra in the Louvre, June 201…
Bust of a Poet, Maybe Hesiod (Pseudo-Seneca) in th…
Bust of a Poet, Maybe Hesiod (Pseudo-Seneca) in th…
Imaginary Portrait of Homer in the Louvre, June 20…
Mithras Killing the Bull in the Louvre, June 2013
Nymph Sculpture in the Louvre, June 2013
Nymph Sculpture in the Louvre, June 2013
Veiled Female Figure from Cyprus in the Louvre, Ju…
Aphrodite Admiring Herself Served by Eros Statuett…
Aphrodite Admiring Herself Served by Eros Statuett…
Relief with Victory and a Warrior with a Column wi…
Base of a Gold Bowl with Portraits of Fortunatus a…
Base of a Gold Glass Bowl with Jonah in the Louvre…
Helmet with a Knob in the Louvre, June 2013
See also...
Keywords
Authorizations, license
-
Visible by: Everyone -
All rights reserved
-
388 visits
Detail of The Adoration of the Magi by Bosch in the Metropolitan Museum of Art, August 2010
The Adoration of the Magi
Artist: Hieronymus Bosch (Netherlandish, ’s Hertogenbosch ca. 1450–1516 ’s Hertogenbosch)
Date: ca. 1470–75
Medium: Oil and gold on wood
Dimensions: 28 x 22 1/4 in. (71.1 x 56.5 cm)
Classification: Paintings
Credit Line: John Stewart Kennedy Fund, 1913
Accession Number: 13.26
Label:
Technical examination of numerous works by Hieronymus Bosch has allowed for the reconsideration of his oeuvre. Long thought to be a later pastiche, this panel can now be placed among Bosch's earliest autograph works. The salient features of its underdrawing, the tunnel-like perspective, and certain of the rather wooden figure types with sensitively rendered faces are closely related to other early paintings by the master.
The stage-like setting of the scene with a curtain held aloft by angels might indicate that the composition was influenced by religious plays, which were performed in Bosch’s hometown of ‘s-Hertogenbosch.
Text from: www.metmuseum.org/collection/the-collection-online/search/435724
Artist: Hieronymus Bosch (Netherlandish, ’s Hertogenbosch ca. 1450–1516 ’s Hertogenbosch)
Date: ca. 1470–75
Medium: Oil and gold on wood
Dimensions: 28 x 22 1/4 in. (71.1 x 56.5 cm)
Classification: Paintings
Credit Line: John Stewart Kennedy Fund, 1913
Accession Number: 13.26
Label:
Technical examination of numerous works by Hieronymus Bosch has allowed for the reconsideration of his oeuvre. Long thought to be a later pastiche, this panel can now be placed among Bosch's earliest autograph works. The salient features of its underdrawing, the tunnel-like perspective, and certain of the rather wooden figure types with sensitively rendered faces are closely related to other early paintings by the master.
The stage-like setting of the scene with a curtain held aloft by angels might indicate that the composition was influenced by religious plays, which were performed in Bosch’s hometown of ‘s-Hertogenbosch.
Text from: www.metmuseum.org/collection/the-collection-online/search/435724
- Keyboard shortcuts:
Jump to top
RSS feed- Latest comments - Subscribe to the comment feeds of this photo
- ipernity © 2007-2024
- Help & Contact
|
Club news
|
About ipernity
|
History |
ipernity Club & Prices |
Guide of good conduct
Donate | Group guidelines | Privacy policy | Terms of use | Statutes | In memoria -
Facebook
Twitter
Sign-in to write a comment.