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Detail of the Bishop Saint in the Cloisters, June 2011
Blessing Bishop (Saint Nicholas of Bari)
Date: ca. 1350–75
Geography: Made in probably Umbria, Italy
Culture: Central Italian
Medium: Poplar, paint, gilt
Dimensions: Overall: 73 1/2 x 17 1/2 x 13 1/2 in., 39lb. (186.7 x 44.5 x 34.3 cm, 17690.3g)
Classification: Sculpture-Wood
Credit Line: The Cloisters Collection, 1925
Accession Number: 25.120.218
Label:
The bishop's chasuble, the principle vestment worn by a priest, is represented with a black orphrey ornamented with a series of quatrefoils. The top medallion shows Christ with his hand raised in benediction, while the others contain letters that spell AVE MARIA. The grandeur and nobility of this figure, a rare example of Gothic wood sculpture from Italy, results from the careful balance of the elements of the bishop's vestments-the tall miter and the long elliptical drapery folds-with the attenuated proportions, the frontality of the pose, the authority of the facial expression, and the refinement in the painted surfaces, especially on the face and beard.
Text from: www.metmuseum.org/collection/the-collection-online/search/472312
Date: ca. 1350–75
Geography: Made in probably Umbria, Italy
Culture: Central Italian
Medium: Poplar, paint, gilt
Dimensions: Overall: 73 1/2 x 17 1/2 x 13 1/2 in., 39lb. (186.7 x 44.5 x 34.3 cm, 17690.3g)
Classification: Sculpture-Wood
Credit Line: The Cloisters Collection, 1925
Accession Number: 25.120.218
Label:
The bishop's chasuble, the principle vestment worn by a priest, is represented with a black orphrey ornamented with a series of quatrefoils. The top medallion shows Christ with his hand raised in benediction, while the others contain letters that spell AVE MARIA. The grandeur and nobility of this figure, a rare example of Gothic wood sculpture from Italy, results from the careful balance of the elements of the bishop's vestments-the tall miter and the long elliptical drapery folds-with the attenuated proportions, the frontality of the pose, the authority of the facial expression, and the refinement in the painted surfaces, especially on the face and beard.
Text from: www.metmuseum.org/collection/the-collection-online/search/472312
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