The Hours of Jeanne d'Evreaux in the Cloisters, Ju…
Base for a Statuette in the Cloisters, October 201…
Mirror Case or Box Cover with an Attack on the Cas…
Mirror Case with the Attack on the Castle of Love…
Game Piece: Blinded Samson Led by a Boy in the Clo…
Liturgical Comb in the Cloisters, April 2012
Liturgical Comb in the Cloisters, April 2012
Right Leaf of a Diptych in the Cloisters, April 20…
Cover of a Writing Tablet with the Fountain of You…
Detail of a Cover of a Writing Tablet with the Fou…
Detail of a Cover of a Writing Tablet with the Fou…
Ivory Plaque with Christ Presenting the Keys to Sa…
Gathering Manna Stained Glass in the Cloisters, Ap…
Storing Up Manna Stained Glass in the Cloisters, A…
The Martyrdom of St. Lawrence Stained Glass in the…
Detail of The Martyrdom of St. Lawrence Stained Gl…
Circumcision Stained Glass in the Cloisters, Octob…
Detail of the Circumcision Stained Glass in the Cl…
Adoration of the Magi Stained Glass in the Cloiste…
Daniel Slaying the Dragon Stained Glass Roundel in…
St. John the Baptist Stained Glass Roundel in the…
Nude Woman Supporting a Heraldic Shield Stained Gl…
Detail of a Nude Woman Supporting a Heraldic Shiel…
Pricket Candlesticks in the Cloisters, April 2012
Man of Sorrows Ivory in the Cloisters, October 201…
Pyx from Cordoba in the Cloisters, April 2012
Plaque with the Annunciation in the Cloisters, Oct…
Pendant in the Cloisters, June 2011
Two Ring Brooches in the Cloisters, October 2010
Gilt Bronze Clasp in the Cloisters, October 2010
Cameo in the Cloisters, June 2011
Beaker in the Cloisters, June 2011
Window in the Cloisters, October 2010
Terrace in the Cloisters, June 2011
Terrace in the Cloisters, June 2011
Exterior of the Apse of a Chapel in the Cloisters,…
Exterior of the Apse of a Chapel in the Cloisters,…
Garden in the Cloisters, April 2012
Garden in the Cloisters, April 2012
Garden in the Cloisters, April 2012
Garden in the Cloisters, April 2012
The Fountain in the Cuxa Cloister in the Cloisters…
The Fountain in the Cuxa Cloister in the Cloisters…
The Cuxa Cloister in the Cloisters, April 2012
The Cuxa Cloister in the Cloisters, April 2012
See also...
Keywords
Authorizations, license
-
Visible by: Everyone -
All rights reserved
-
331 visits
Saltcellar in the Cloisters, June 2011
Saltcellar
Date: mid-13th century
Geography: Made in Paris, France
Culture: French
Medium: Gold, rock crystal, emeralds, pearls, spinel or balas rubies
Dimensions: H. 5 1/2 in. (14 cm); Diam. of foot: 3 1/8 in. (7.9 cm)
Classification: Metalwork-Gold
Credit Line: The Cloisters Collection, 1983
Accession Number: 1983.434
Description: A marvel of exquisite craftsmanship, this small, gold-mounted rock-crystal salt cellar, which rests on a high, knopped stem above a tapered, conical base, is a rare example of Early Gothic goldsmiths' work. The crystal salt cellar is meticulously carved with a pointed prow, a flat yet sloping stern, a keel that is rectangular in profile, and simple notching for the double oarlocks. Three interconnected hollows in the interior are arranged symmetrically along the boat's axis. The upper surface of the rim of the vessel is decorated with seed pearls, and emeralds; below is a border of tiny ivy leaves. One-fourth of the hinged lid can be lifted by means of a tiny handle in the form of a serpent. The gems and pearls in combination with the serpent probably had an apotropaic meaning, as serpents' tongues were thought to warn against poison by breaking out into a sweat.
The form of The Cloisters' object recalls that of two reliquaries of the Holy Thorn, preserved in the Treasury of Saint-Maurice d'Agaune in Switzerland and in the Basilica of San Francesco in Assisi. Both are believed to have been made in Paris—the first, about 1262, and the second, before 1270. Consequently, a date in the mid-thirteenth century is certain for The Cloisters' work, and a Paris localization for its manufacture is indicated. The capital's goldsmiths' center of activity was the Grand-Pont. The Parisian guild regulations also include crystal carvers, cited in Étienne Boileau's "Le Livre des métiers," of about 1268. The diminutive scale and costly materials suggest that this luxury object served as a receptacle for a precious commodity for the table, such as salt or a spice. Ecclesiastical salt cellars, used in the sacrament of baptism and for the hallowing of water, appear only rarely in medieval inventories, but such a usage for this object cannot be excluded. Indeed, it is possible that these works may have been made first for an aristocratic or royal table and were later to be transferred as a gift or a bequest to a church for ecclesiastical use. Information gleaned from early inventories does suggest that such prestigious objects, made of gold and crystal and enhanced with gems, emanated from royal patronage, ownership, or presentation.
In any case, few Early Gothic secular table furnishings have survived intact. Many works were buried, destroyed, or melted down during the long periods of looting, war, and revolution.
Text from: www.metmuseum.org/collection/the-collection-online/search/469879
Date: mid-13th century
Geography: Made in Paris, France
Culture: French
Medium: Gold, rock crystal, emeralds, pearls, spinel or balas rubies
Dimensions: H. 5 1/2 in. (14 cm); Diam. of foot: 3 1/8 in. (7.9 cm)
Classification: Metalwork-Gold
Credit Line: The Cloisters Collection, 1983
Accession Number: 1983.434
Description: A marvel of exquisite craftsmanship, this small, gold-mounted rock-crystal salt cellar, which rests on a high, knopped stem above a tapered, conical base, is a rare example of Early Gothic goldsmiths' work. The crystal salt cellar is meticulously carved with a pointed prow, a flat yet sloping stern, a keel that is rectangular in profile, and simple notching for the double oarlocks. Three interconnected hollows in the interior are arranged symmetrically along the boat's axis. The upper surface of the rim of the vessel is decorated with seed pearls, and emeralds; below is a border of tiny ivy leaves. One-fourth of the hinged lid can be lifted by means of a tiny handle in the form of a serpent. The gems and pearls in combination with the serpent probably had an apotropaic meaning, as serpents' tongues were thought to warn against poison by breaking out into a sweat.
The form of The Cloisters' object recalls that of two reliquaries of the Holy Thorn, preserved in the Treasury of Saint-Maurice d'Agaune in Switzerland and in the Basilica of San Francesco in Assisi. Both are believed to have been made in Paris—the first, about 1262, and the second, before 1270. Consequently, a date in the mid-thirteenth century is certain for The Cloisters' work, and a Paris localization for its manufacture is indicated. The capital's goldsmiths' center of activity was the Grand-Pont. The Parisian guild regulations also include crystal carvers, cited in Étienne Boileau's "Le Livre des métiers," of about 1268. The diminutive scale and costly materials suggest that this luxury object served as a receptacle for a precious commodity for the table, such as salt or a spice. Ecclesiastical salt cellars, used in the sacrament of baptism and for the hallowing of water, appear only rarely in medieval inventories, but such a usage for this object cannot be excluded. Indeed, it is possible that these works may have been made first for an aristocratic or royal table and were later to be transferred as a gift or a bequest to a church for ecclesiastical use. Information gleaned from early inventories does suggest that such prestigious objects, made of gold and crystal and enhanced with gems, emanated from royal patronage, ownership, or presentation.
In any case, few Early Gothic secular table furnishings have survived intact. Many works were buried, destroyed, or melted down during the long periods of looting, war, and revolution.
Text from: www.metmuseum.org/collection/the-collection-online/search/469879
- Keyboard shortcuts:
Jump to top
RSS feed- Latest comments - Subscribe to the comment feeds of this photo
- ipernity © 2007-2024
- Help & Contact
|
Club news
|
About ipernity
|
History |
ipernity Club & Prices |
Guide of good conduct
Donate | Group guidelines | Privacy policy | Terms of use | Statutes | In memoria -
Facebook
Twitter
Sign-in to write a comment.