Fragment of a Sicilian Terracotta Relief Vase in t…
Gold Beads with Lotus Flowers and Circular Bosses…
Gold and Cameo Glass Ring from Cyprus in the Metro…
Hellenistic Greek Gold Clasp in the Metropolitan M…
Detail of a Terracotta Pelike Attributed to the Pl…
Terracotta Kantharos in the Form of the Head of He…
Terracotta Skyphos with Nike in the Metropolitan M…
Terracotta Pelike Attributed to the Plousios Paint…
Terracotta One-Handled Drinking Cup Attributed to…
Terracotta Hydria: Kalpis in the Metropolitan Muse…
Detail of a Terracotta Hydria: Kalpis in the Metro…
Marble Left Hand Holding a Small Box in the Metrop…
Roman Wall Painting Fragment with a Bird in the Me…
Roman Wall Painting Fragment in the Metropolitan M…
Wall Painting Fragment with a Woman in an Egyptian…
Gold Ring with Alexander as Herakles in the Metrop…
Gold Armband with Herakles Knot in the Metropolita…
Gold Ring with an Intaglio of Kassandra in the Met…
Opaque White on Opaque Blue Glass Cameo in the Met…
Sardonyx Cameo with a Man and a Woman on a Couch i…
Bronze Relief Head of a Woman in the Metropolitan…
Terracotta Conical Lekythos in the Metropolitan Mu…
Cypriot Terracotta Trick Vase in the Metropolitan…
Tarentine Terracotta Relief on the Back of a Centa…
South Italian Terracotta Figure of a Seated Woman…
Upper Corner of a Marble Funerary Relief with Port…
East Greek Terracotta Relief Bust of a Woman in th…
Bronze Waterspouts in the Form of Lion Masks in th…
Glass Sprinkler Flask in the Metropolitan Museum o…
Glass Phalera with Imperial Portraits in the Metro…
Mycenaean Terracotta Sheep or Bull in the Metropol…
Terracotta Spouted Jug in the Metropolitan Museum…
Detail of the Jar with a Frieze of Bulls in the Me…
Jar with a Frieze of Bulls in the Metropolitan Mus…
Cult Vessel in the Form of a Tower in the Metropol…
Sasanian Two-Handled Vessel with a Pierced Base in…
Foreign Groom in a Tributary Procession in the Met…
Smiting Weather God and Enthroned Deity in the Met…
Head of Gudea in the Metropolitan Museum of Art, J…
Detail of Buddha Flanked by Bodhisattvas Avalokite…
Detail of the Pillar Fragment with Dancing Apsaras…
Pillar Fragment with Dancing Apsaras in the Metrop…
Buddha Flanked by Bodhisattvas Avalokiteshvara and…
Male God in the Metropolitan Museum of Art, Novemb…
Detail of the Study of a Seated Woman Seen from Be…
Location
Lat, Lng:
Lat, Lng:
You can copy the above to your favourite mapping app.
Address: unknown
Lat, Lng:
You can copy the above to your favourite mapping app.
Address: unknown
See also...
Keywords
Authorizations, license
-
Visible by: Everyone -
All rights reserved
-
360 visits
Glass Fragment with a Later Inscription in the Metropolitan Museum of Art, February 2011
Glass fragment with later inscription
Period: Imperial
Date: ca. 1st–3rd century A.D.
Culture: Roman
Medium: Glass; blown and cut
Dimensions: Overall: 2 1/2 x 3 1/8 in. (6.4 x 7.9 cm)
Classification: Glass
Credit Line: Gift of J. Pierpont Morgan, 1917
Accession Number: 17.194.916
Description:
The fragment has been shown by scientific analysis and examination to be ancient. It is probably part of a bowl or globular bottle that was decorated with linear engraving in antiquity. However, the inscription and floral decoration appear to be modern additions. The inscription is copied from a Roman marble cinerary urn that has been known since 1716 and been in the British Museum since 1804. The decoration was therefore added to the fragment in order to enhance its attractiveness and value probably in the 19th century by an astute, well-informed, but unscrupulous person.
Text from: www.metmuseum.org/Collections/search-the-collections/250123
Period: Imperial
Date: ca. 1st–3rd century A.D.
Culture: Roman
Medium: Glass; blown and cut
Dimensions: Overall: 2 1/2 x 3 1/8 in. (6.4 x 7.9 cm)
Classification: Glass
Credit Line: Gift of J. Pierpont Morgan, 1917
Accession Number: 17.194.916
Description:
The fragment has been shown by scientific analysis and examination to be ancient. It is probably part of a bowl or globular bottle that was decorated with linear engraving in antiquity. However, the inscription and floral decoration appear to be modern additions. The inscription is copied from a Roman marble cinerary urn that has been known since 1716 and been in the British Museum since 1804. The decoration was therefore added to the fragment in order to enhance its attractiveness and value probably in the 19th century by an astute, well-informed, but unscrupulous person.
Text from: www.metmuseum.org/Collections/search-the-collections/250123
- Keyboard shortcuts:
Jump to top
RSS feed- Latest comments - Subscribe to the comment feeds of this photo
- ipernity © 2007-2024
- Help & Contact
|
Club news
|
About ipernity
|
History |
ipernity Club & Prices |
Guide of good conduct
Donate | Group guidelines | Privacy policy | Terms of use | Statutes | In memoria -
Facebook
Twitter
Sign-in to write a comment.