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Detail of Andromache and Astyanax by Prud'hon in the Metropolitan Museum of Art, May 2008
Artist: Pierre-Paul Prud'hon (French, 1758–1823), completed by Charles Boulanger de Boisfrémont (French, 1773–1838)
Title: Andromache and Astyanax
Date: 1814–24
Medium: Oil on canvas
Dimensions: 52 x 67 1/8 in. (132.1 x 170.5 cm)
Credit Line: Bequest of Collis P. Huntington, 1900
Accession Number: 25.110.14
Prud'hon—one of the principal representatives of Neoclassicism—undertook this picture in 1814 for the former Empress Marie-Louise, to whom he had taught drawing. The subject is from the great seventeenth-century French tragedian Racine. Andromache, shown with her attendant Cephise and her child's nurse, has just rejected Pyrrhus; Pyrrhus's father, Achilles, had killed her husband, Hector. Her refusal is signified by embracing her son, in whom she sees Hector's features. Pyrrhus is accompanied by his tutor, Phoenix. Left incomplete, the picture was finished after Prud'hon's death by a pupil, Charles Boulanger de Boisfremont (1773–1838), who purchased it from Prud'hon's estate in 1823 and exhibited it in the Salon of 1824. Boisfremont repainted the gestures and expressions of Pyrrhus and Phoenix and introduced the vases on the ledge in the background.
Text from: www.metmuseum.org/Works_of_Art/collection_database/europe...['andromache_and_astyanax', 'andromache_and_astyanax']/objectview.aspx?OID=110001787&collID=11&dd1=11
Title: Andromache and Astyanax
Date: 1814–24
Medium: Oil on canvas
Dimensions: 52 x 67 1/8 in. (132.1 x 170.5 cm)
Credit Line: Bequest of Collis P. Huntington, 1900
Accession Number: 25.110.14
Prud'hon—one of the principal representatives of Neoclassicism—undertook this picture in 1814 for the former Empress Marie-Louise, to whom he had taught drawing. The subject is from the great seventeenth-century French tragedian Racine. Andromache, shown with her attendant Cephise and her child's nurse, has just rejected Pyrrhus; Pyrrhus's father, Achilles, had killed her husband, Hector. Her refusal is signified by embracing her son, in whom she sees Hector's features. Pyrrhus is accompanied by his tutor, Phoenix. Left incomplete, the picture was finished after Prud'hon's death by a pupil, Charles Boulanger de Boisfremont (1773–1838), who purchased it from Prud'hon's estate in 1823 and exhibited it in the Salon of 1824. Boisfremont repainted the gestures and expressions of Pyrrhus and Phoenix and introduced the vases on the ledge in the background.
Text from: www.metmuseum.org/Works_of_Art/collection_database/europe...['andromache_and_astyanax', 'andromache_and_astyanax']/objectview.aspx?OID=110001787&collID=11&dd1=11
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