01.LaPromenade.LEnfantPlaza.SW.WDC.25January2011
02a.LaPromenade.LEnfantPlaza.SW.WDC.25January2011
03.LaPromenade.LEnfantPlaza.SW.WDC.25January2011
04a.LaPromenade.LEnfantPlaza.SW.WDC.25January2011
01.WMATA.AnacostiaStation.SE.WDC.27March2011
02.WMATA.AnacostiaStation.SE.WDC.27March2011
03.WMATA.AnacostiaStation.SE.WDC.27March2011
04.WMATA.AnacostiaStation.SE.WDC.27March2011
05.WMATA.AnacostiaStation.SE.WDC.27March2011
07.WMATA.AnacostiaStation.SE.WDC.27March2011
Manifestacio / Manifestation
Taeko Osioka parolas pri mesaĝoj / Taeko Osioka pa…
Hiroŝimo 2011 Hiroshima 2011
ATC "Odd Hat 5" (ex)
Purple [ with a flash of pale gold ] . .
Just a sip, please . .
Best seat for viewing ..
Blue Angels ..
ATC "Olivehead 11" (ex)
雪兎 2011
2011 Gulf Fritillary ..
WMATA1.MinnesotaAvenue.NE.WDC.3April2011
01.WMATA2.Orange.Vienna.NE.WDC.3April2011
02.WMATA2.Orange.Vienna.NE.WDC.3April2011
03.WMATA2.Orange.Vienna.NE.WDC.3April2011
04.WMATA2.Orange.Vienna.NE.WDC.3April2011
05.WMATA2.Orange.Vienna.NE.WDC.3April2011
spring
01.Wireless.CTIA.UnionStation.NE.WDC.3April2011
Rocaille -période bleue
Triplette
triplette de tulipes
Etoile du nord ?
ATC "Dessert 2" (ex)
Gold !
From any angle . .
ATC "Bedtime" (ex)
ATC "Salad" (ex)
Heard something ..
ATC "Butter 2" (ex)
Cherry 062
Cherry 061
Cherry 060
Cherry 059
Cherry 058
Cherry 057
Cherry 056
Cherry 055
Cherry 054
Cherry 053
Cherry 052
Cherry 051
Cherry 050
Cherry 049
Cherry 048
Cherry 047
Cherry 046
Cherry 045
Cherry 044
Cherry 043
Cherry 042
Cherry 041
Cherry 040
Cherry 039
Cherry 038
Location
Lat, Lng:
Lat, Lng:
You can copy the above to your favourite mapping app.
Address: unknown
Lat, Lng:
You can copy the above to your favourite mapping app.
Address: unknown
See also...
Keywords
Authorizations, license
-
Visible by: Everyone -
All rights reserved
-
410 visits
Bronze Lid and Upper Part of an Oil Flask in the Metropolitan Museum of Art, February 2011
Medallion with a griffin fighting an Arimaspian, 4th century b.c.
Italic; Praeneste
Bronze
Diam. 3 5/8 in. (9.19 cm)
Rogers Fund, 1910 (10.230.1)
This bronze "medallion" portrays a naked youth being bitten on the right shoulder by a griffin. It was found at Praeneste and was originally part of the Barberini collection. The Barberini princes undertook extensive excavations in their estate near Praeneste, and their collection is the largest and most complete assemblage of Praenestine fourth century B.C. material. The high quality of this relief and its skillful manufacture recall objects of Greek craftsmanship. The beautiful modeling is clearly inspired by fourth century B.C. classical ideals—the musculature of the young warrior's body is softly rendered and his wavy hair is raised to suggest movement. The tense muscles and tendons of the griffin's paws transmit the animal's strength and power.
This "medallion" is shaped like a knob with a flat top. The underpart consists of three nested metal layers, not soldered to the top surface, thus suggesting they were originally two separate pieces. It is likely to be the lid of a vaso a gabbia—a container made of a conical bronze cagelike structure enclosing a leather bag, a local Praenestine fourth century B.C. production. The shape, the size, as well as a little hole that originally would have been attached to a chain with a strigil, all support such an identification.
The scene depicted is the myth of the Arimaspians, who were believed to have been one-eyed horsemen inhabiting a land beyond the Black Sea. The Arimaspians were involved in a perpetual struggle against griffins over gold, guarded by these fantastic animals. In the mid-seventh century B.C., Aristeas of Proconnesos wrote the Arimaspeia, a poem narrating his travels in eastern Europe. Later ancient writers, like Aeschylus and Herodotus, drew their knowledge of the Arimaspian myth from this poem.
Text from: www.metmuseum.org/toah/works-of-art/10.230.1
Italic; Praeneste
Bronze
Diam. 3 5/8 in. (9.19 cm)
Rogers Fund, 1910 (10.230.1)
This bronze "medallion" portrays a naked youth being bitten on the right shoulder by a griffin. It was found at Praeneste and was originally part of the Barberini collection. The Barberini princes undertook extensive excavations in their estate near Praeneste, and their collection is the largest and most complete assemblage of Praenestine fourth century B.C. material. The high quality of this relief and its skillful manufacture recall objects of Greek craftsmanship. The beautiful modeling is clearly inspired by fourth century B.C. classical ideals—the musculature of the young warrior's body is softly rendered and his wavy hair is raised to suggest movement. The tense muscles and tendons of the griffin's paws transmit the animal's strength and power.
This "medallion" is shaped like a knob with a flat top. The underpart consists of three nested metal layers, not soldered to the top surface, thus suggesting they were originally two separate pieces. It is likely to be the lid of a vaso a gabbia—a container made of a conical bronze cagelike structure enclosing a leather bag, a local Praenestine fourth century B.C. production. The shape, the size, as well as a little hole that originally would have been attached to a chain with a strigil, all support such an identification.
The scene depicted is the myth of the Arimaspians, who were believed to have been one-eyed horsemen inhabiting a land beyond the Black Sea. The Arimaspians were involved in a perpetual struggle against griffins over gold, guarded by these fantastic animals. In the mid-seventh century B.C., Aristeas of Proconnesos wrote the Arimaspeia, a poem narrating his travels in eastern Europe. Later ancient writers, like Aeschylus and Herodotus, drew their knowledge of the Arimaspian myth from this poem.
Text from: www.metmuseum.org/toah/works-of-art/10.230.1
- Keyboard shortcuts:
Jump to top
RSS feed- Latest comments - Subscribe to the comment feeds of this photo
- ipernity © 2007-2024
- Help & Contact
|
Club news
|
About ipernity
|
History |
ipernity Club & Prices |
Guide of good conduct
Donate | Group guidelines | Privacy policy | Terms of use | Statutes | In memoria -
Facebook
Twitter
Sign-in to write a comment.