Vessel Stand with Ibex Support in the Metropolitan…
Gold Reclining Doe in the Metropolitan Museum of A…
Mesopotamian Shell Inlay in the Metropolitan Museu…
Seated Statue of Gudea in the Metropolitan Museum…
Seated Statue of Gudea in the Metropolitan Museum…
Head of Gudea in the Metropolitan Museum of Art, J…
Human-Headed Bison in the Metropolitan Museum of A…
Sumerian Beads of Carnelian, Gold, and Lapis Lazul…
Sumerian Gypsum Statue of a Man in the British Mus…
Sumerian Silver Head Ornament in the British Museu…
Sumerian Wall Plaque in the British Museum, May 20…
Statue of Gudea in the British Museum, May 2014
Statue of Gudea in the British Museum, May 2014
Bull Head from the Sound Box of a Lyre in the Univ…
The Royal Game of Ur in the British Museum, May 20…
Sumerian Headdress, Necklace, and Hair Ribbons in…
Sumerian Headdress, Necklace, and Hair Ribbons in…
Reconstructed Head of a Sumerian Woman in the Brit…
Reconstructed Head of a Sumerian Woman in the Brit…
Reconstructed Head of a Sumerian Woman in the Brit…
Ram in the Thicket in the British Museum, May 2014
Ram in the Thicket in the British Museum, May 2014
Ram in the Thicket in the British Museum, May 2014
Ram in the Thicket in the British Museum, May 2014
Ram in the Thicket in the British Museum, May 2014
Ram in the Thicket in the British Museum, May 2014
Relief of a Couple from Tello in the Louvre, June…
Relief of a Couple from Tello in the Louvre, June…
Man Carrying a Box in the Metropolitan Museum of A…
Man Carrying a Box in the Metropolitan Museum of A…
Man Carrying a Box in the Metropolitan Museum of A…
Man Carrying a Box in the Metropolitan Museum of A…
Stele of Ushumgal in the Metropolitan Museum of Ar…
Stele of Ushumgal in the Metropolitan Museum of Ar…
Stele of Ushumgal in the Metropolitan Museum of Ar…
Stele of Ushumgal in the Metropolitan Museum of Ar…
Stele of Ushumgal in the Metropolitan Museum of Ar…
Stele of Ushumgal in the Metropolitan Museum of Ar…
Stele of Ushumgal in the Metropolitan Museum of Ar…
Stele of Ushumgal in the Metropolitan Museum of Ar…
Head of Gudea in the Metropolitan Museum of Art, F…
Head of Gudea in the Metropolitan Museum of Art, F…
Base and Feet of a Standing Figure in the Metropol…
Standing Female Worshiper in the Metropolitan Muse…
Standing Female Worshiper in the Metropolitan Muse…
Standing Male Worshiper in the Metropolitan Museum…
Sumerian Standing Male Worshiper in the Metropolit…
Female Head with an Elaborate Hairstyle in the Met…
Stele of Ushumgal in the Metropolitan Museum of Ar…
Sumerian Standing Female Figure in the Metropolita…
Sumerian Relief Plaque with a Banquet Scene in the…
Vessel Supported by Two Rams in the Metropolitan M…
Sumerian Calcite Bowl in the Metropolitan Museum o…
Administrative Tablet with a Record of Rations of…
Sumerian Helmet in the University of Pennsylvania…
Sumerian Helmet in the University of Pennsylvania…
Bull Head from the Sound Box of a Lyre in the Univ…
Harp Ornament in the University of Pennsylvania Mu…
Sumerian Gold Cosmetic Container in the University…
Lion Head Finial for an Arm of a Chair in the Univ…
Silver Spouted Jug in the University of Pennsylvan…
Sumerian Electrum Tumbler in the University of Pen…
Sumerian Gold Bowl in the University of Pennsylvan…
Sumerian Gold Bowl in the University of Pennsylvan…
Sumerian Vessel in the Form of an Ostreich Egg in…
Sumerian Gold Wreath in the University of Pennsylv…
Sumerian Choker in the University of Pennsylvania…
Sumerian Gold Earrings in the University of Pennsy…
Sumerian Lyre Inlay in the University of Pennsylva…
Alabaster Statue from Khafaje in the University of…
Sumerian Statue of a Man in the University of Penn…
Sumerian Male Statue in the University of Pennsylv…
Sumerian Female Statue Fragment in the University…
Peg with a Human-Faced Bull Protome in the Univers…
Peg with a Human-Faced Bull Protome in the Univers…
Sumerian Deity Holding a Foundation Peg in the Wal…
Sumerian Dedication Nail in the Walters Art Museum…
Foundation Deposit of King Warad-Sin of Larsa in t…
Bust of a Female Votary or Priestess in the Boston…
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Cylinder Seal and Modern Impression: Bull Man, Hero, and Lion Contest in the Metropolitan Museum of Art, August 2008
Cylinder Seal and Modern Impression: Bull Man, Hero, and Lion Contest
Marble
Mesopotamia
Early Dynastic III, 2600-2334 BC
Accession # 55.65.4
Text from the Metropolitan Museum of Art label.
and
Seals
Although engraved stones had been used as early as the seventh millennium BC to stamp impressions in clay, the invention in the fourth millennium BC of carved cylinders that could be rolled over clay allowed the development of more complex seal designs. These “cylinder seals,” first used in Mesopotamia, served as a mark of ownership or identification. Seals were either impressed in clay masses that were used to close jars, doors, and baskets, or they were rolled onto clay tablets that recorded information about commercial or legal transactions. The seals were often made of precious stones. Protective properties may have been ascribed to both the material itself and the carved designs. Seals are important to the study of ancient Near Eastern art because many examples survive from every period and can, therefore, help to define chronological phases. Often preserving imagery no longer extant in any other medium, they serve as a visual chronicle of style and iconography.
Text from the Metropolitan Museum of Art plaque.
Marble
Mesopotamia
Early Dynastic III, 2600-2334 BC
Accession # 55.65.4
Text from the Metropolitan Museum of Art label.
and
Seals
Although engraved stones had been used as early as the seventh millennium BC to stamp impressions in clay, the invention in the fourth millennium BC of carved cylinders that could be rolled over clay allowed the development of more complex seal designs. These “cylinder seals,” first used in Mesopotamia, served as a mark of ownership or identification. Seals were either impressed in clay masses that were used to close jars, doors, and baskets, or they were rolled onto clay tablets that recorded information about commercial or legal transactions. The seals were often made of precious stones. Protective properties may have been ascribed to both the material itself and the carved designs. Seals are important to the study of ancient Near Eastern art because many examples survive from every period and can, therefore, help to define chronological phases. Often preserving imagery no longer extant in any other medium, they serve as a visual chronicle of style and iconography.
Text from the Metropolitan Museum of Art plaque.
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