Head of an Athlete in the Metropolitan Museum of A…
Ancient Greek Eleusinian Relief in the Metropolita…
Urn in Prospect Park, Oct. 2006
Stamford Train Station, Oct. 2006
Archaic Greek Terracotta Figurines at the Metropol…
Broken Tree in Prospect Park Near the Lake, Oct. 2…
The Boathouse in Prospect Park, Oct. 2006
The Boathouse in Prospect Park, Oct. 2006
The Peristyle in Prospect Park, Oct. 2006
The Peristyle in Prospect Park, Oct. 2006
The Peristyle in Prospect Park, Oct. 2006
Detail of a Corinthian Column from the Peristyle i…
Sculpture and Flag Above the Carlyle Galleries on…
Sculpture and Flag Above the Carlyle Galleries on…
Dionysus or Apollo? Sculpture Across the Street fr…
Dionysus or Apollo? Sculpture Across the Street fr…
Dionysus or Apollo? Sculpture Across the Street fr…
Demeter? Sculpture Across the Street from the Metr…
Demeter? Sculpture Across the Street from the Metr…
Archaic Greek Sphinx in the Metropolitan Musuem of…
Aeneas and Anchises on a Small Amphora by the Dios…
Dancing Maenad Relief in the Metropolitan Musuem o…
The New York Kouros at the Metropolitan Museum of…
Stamford Train Station, Oct. 2006
Pediment of the Brooklyn Museum, Nov. 2006
The Brooklyn Museum, Nov. 2006
The Desert Pavilion of the Brooklyn Botanical Gard…
The Desert Pavilion of the Brooklyn Botanical Gard…
The Desert Pavilion of the Brooklyn Botanical Gard…
Tree in the Desert Pavilion of the Brooklyn Botani…
Tree in the Brooklyn Botanical Garden, Nov. 2006
The Brooklyn Botanic Garden, Nov. 2006
The Brooklyn Botanic Garden, Nov. 2006
Fountain & Columns in the Osborne Garden of the Br…
Fountain & Columns in the Osborne Garden of the Br…
Fountain in the Osborne Garden of the Brooklyn Bot…
Column in the Osborne Garden of the Brooklyn Botan…
The Tropical Pavilion in the Brooklyn Botanical Ga…
The Tropical Pavilion in the Brooklyn Botanical Ga…
The Bonsai Museum at the Brooklyn Botanical Garden…
The Tropical Pavilion in the Brooklyn Botanical Ga…
The Tropical Pavilion in the Brooklyn Botanical Ga…
Aquatic House in the Brooklyn Botanical Garden, No…
The Palm House at the Brooklyn Botanical Garden, N…
Aquatic House in the Brooklyn Botanical Garden, No…
Location
Lat, Lng:
Lat, Lng:
You can copy the above to your favourite mapping app.
Address: unknown
Lat, Lng:
You can copy the above to your favourite mapping app.
Address: unknown
See also...
Keywords
Authorizations, license
-
Visible by: Everyone -
All rights reserved
-
628 visits
Copy of the Diadoumenos in the Metropolitan Museum of Art, Nov. 2006
Statue of Diadoumenos (youth tying a fillet around his head), ca. 69–96 A.D.; Flavian
Roman copy of a Greek bronze statue by Polykleitos, ca. 430 B.C.
Marble (Pentelic); H. 73 in. (185.42 cm)
Fletcher Fund, 1925 (25.78.56)
This statue is known as a Diadoumenos, a youth tying a fillet around his head after a victory in an athletic contest. It is a first-century A.D. Roman copy of a Greek bronze original dated around 430 B.C. The original bronze probably stood in a sanctuary such as that at Olympia or Delphi, where games were regularly held. Ancient literary accounts (Lucian, Philopseudes, 18; Pliny, N.H. xxxiv, 15) and over forty known copies attest to the original bronze being one of the most highly esteemed creations of Polykleitos, the renowned Greek sculptor from Argos who worked during the mid—fifth century B.C. Both in his sculpture and in a written text, the Canon, Polykleitos sought to represent the nude male figure with perfect harmony among all parts and according to principles that could be reproduced by others. He carefully designed his figures with special attention paid to bodily proportions and stance, so that the effect of the whole is singularly harmonious. The thorax and pelvis of the Diadoumenos tilt in opposite directions, setting up rhythmic contrasts in the torso that create an impression of organic vitality. The position of the feet poised between standing and walking give a sense of potential movement. This rigorously calculated pose, which is found in almost all works attributed to Polykleitos, became a standard formula used in Greco-Roman and, later, western European art.
Of this marble copy, the head, arms, legs from the knees down, and tree trunk are ancient. The remainder of the figure was cast from a marble copy found at Delos and now in the National Archaeological Museum in Athens. The head is practically intact with even the nose unbroken. The sharply carved eyelids bordered by ridges suggesting lashes, the transverse incision on the lower lip, and the crisply carved curls indicate a faithful rendering of the bronze original.
Text from: www.metmuseum.org/toah/hd/athl/hod_25.78.56.htm
Roman copy of a Greek bronze statue by Polykleitos, ca. 430 B.C.
Marble (Pentelic); H. 73 in. (185.42 cm)
Fletcher Fund, 1925 (25.78.56)
This statue is known as a Diadoumenos, a youth tying a fillet around his head after a victory in an athletic contest. It is a first-century A.D. Roman copy of a Greek bronze original dated around 430 B.C. The original bronze probably stood in a sanctuary such as that at Olympia or Delphi, where games were regularly held. Ancient literary accounts (Lucian, Philopseudes, 18; Pliny, N.H. xxxiv, 15) and over forty known copies attest to the original bronze being one of the most highly esteemed creations of Polykleitos, the renowned Greek sculptor from Argos who worked during the mid—fifth century B.C. Both in his sculpture and in a written text, the Canon, Polykleitos sought to represent the nude male figure with perfect harmony among all parts and according to principles that could be reproduced by others. He carefully designed his figures with special attention paid to bodily proportions and stance, so that the effect of the whole is singularly harmonious. The thorax and pelvis of the Diadoumenos tilt in opposite directions, setting up rhythmic contrasts in the torso that create an impression of organic vitality. The position of the feet poised between standing and walking give a sense of potential movement. This rigorously calculated pose, which is found in almost all works attributed to Polykleitos, became a standard formula used in Greco-Roman and, later, western European art.
Of this marble copy, the head, arms, legs from the knees down, and tree trunk are ancient. The remainder of the figure was cast from a marble copy found at Delos and now in the National Archaeological Museum in Athens. The head is practically intact with even the nose unbroken. The sharply carved eyelids bordered by ridges suggesting lashes, the transverse incision on the lower lip, and the crisply carved curls indicate a faithful rendering of the bronze original.
Text from: www.metmuseum.org/toah/hd/athl/hod_25.78.56.htm
- Keyboard shortcuts:
Jump to top
RSS feed- Latest comments - Subscribe to the comment feeds of this photo
- ipernity © 2007-2024
- Help & Contact
|
Club news
|
About ipernity
|
History |
ipernity Club & Prices |
Guide of good conduct
Donate | Group guidelines | Privacy policy | Terms of use | Statutes | In memoria -
Facebook
Twitter
Sign-in to write a comment.