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Setting for St. Bridget in the Dinner Party by Jud…
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Setting for an Amazon in the Dinner Party by Judy Chicago in the Brooklyn Museum, August 2007
The Dinner Party is a work by feminist artist Judy Chicago depicting place settings for 39 mythical and historical famous women throughout history. It was produced from 1974 to 1979 by a collaboration of many individual women and first exhibited in 1979.
Judy Chicago stated the purpose of the work as "The Dinner Party was meant to end the ongoing cycle of omission in which women were written out of the historical record."
The table is triangular and measures forty-eight feet on each side. Each place setting features a placemat / tablecloth with the woman's name and artworks relating to the woman's life, along with a napkin, utensils, glass / goblet, and a plate. The plates all feature a butterfly- or flower-like sculpture, representing the woman's vulva. "The Dinner Party elevates female achievement in Western history to a heroic scale traditionally reserved for men.
A collaborative effort of many female artists, The Dinner Party celebrates traditional female accomplishments such as weaving, china painting, embroidery, and sewing which have historically been framed as craft or domestic art.
The white floor of triangular porcelain tiles is inscribed with the names of 999 other notable women.
Since 2002 the home of the work has been the Brooklyn Museum of Art. It was donated to the museum by The Elizabeth A. Sackler Foundation. It is now permanently housed at the Brooklyn Museum within the Elizabeth A Sackler Center for Feminist Art which opened in March 2007.
The first wing of the triangular table has place settings for women from Primordial Goddesses of prehistory through to Hypatia of classical Rome. This section symbolises the emergence and decline of the Classical world.
The second wing begins with Marcella, and denotes the rise of Christianity. It concludes with Anna van Schurman in the seventeenth century.
The third wing represents the Age of revolutions. It begins with Anne Hutchinson and moves through the twentieth century to the final places paying tribute to Virginia Woolf and Georgia O'Keeffe,
The 39 women with places at the table are:
Wing I: From Prehistory to the Roman Empire
1. Primordial Goddess
2. Fertile Goddess
3. Ishtar
4. Kali
5. Snake Goddess
6. Sophia
7. Amazon
8. Hatshepsut
9. Judith
10. Sappho
11. Aspasia
12. Boudica
13. Hypatia
Wing II: From the Beginnings of Christianity to the Reformation
14. Marcella
15. Saint Bridget
16. Theodora of Byzantium
17. Hrosvitha
18. Trotula of Salerno
19. Eleanor of Aquitaine
20. Hildegard of Bingen
21. Petronilla de Meath
22. Christine de Pisan
23. Isabella d'Este
24. Elizabeth R
25. Artemisia Gentileschi
26. Anna van Schurman
Wing III: From the American to the Women’s Revolution
27. Anne Hutchinson
28. Sacajawea
29. Caroline Herschel
30. Mary Wollstonecraft
31. Sojourner Truth
32. Susan B. Anthony
33. Elizabeth Blackwell
34. Emily Dickinson
35. Ethel Smyth
36. Margaret Sanger
37. Natalie Barney
38. Virginia Woolf
39. Georgia O'Keeffe
The names of 999 more Women of Achievement are represented in the floor tiles.
Text from: en.wikipedia.org/wiki/The_Dinner_Party
Judy Chicago stated the purpose of the work as "The Dinner Party was meant to end the ongoing cycle of omission in which women were written out of the historical record."
The table is triangular and measures forty-eight feet on each side. Each place setting features a placemat / tablecloth with the woman's name and artworks relating to the woman's life, along with a napkin, utensils, glass / goblet, and a plate. The plates all feature a butterfly- or flower-like sculpture, representing the woman's vulva. "The Dinner Party elevates female achievement in Western history to a heroic scale traditionally reserved for men.
A collaborative effort of many female artists, The Dinner Party celebrates traditional female accomplishments such as weaving, china painting, embroidery, and sewing which have historically been framed as craft or domestic art.
The white floor of triangular porcelain tiles is inscribed with the names of 999 other notable women.
Since 2002 the home of the work has been the Brooklyn Museum of Art. It was donated to the museum by The Elizabeth A. Sackler Foundation. It is now permanently housed at the Brooklyn Museum within the Elizabeth A Sackler Center for Feminist Art which opened in March 2007.
The first wing of the triangular table has place settings for women from Primordial Goddesses of prehistory through to Hypatia of classical Rome. This section symbolises the emergence and decline of the Classical world.
The second wing begins with Marcella, and denotes the rise of Christianity. It concludes with Anna van Schurman in the seventeenth century.
The third wing represents the Age of revolutions. It begins with Anne Hutchinson and moves through the twentieth century to the final places paying tribute to Virginia Woolf and Georgia O'Keeffe,
The 39 women with places at the table are:
Wing I: From Prehistory to the Roman Empire
1. Primordial Goddess
2. Fertile Goddess
3. Ishtar
4. Kali
5. Snake Goddess
6. Sophia
7. Amazon
8. Hatshepsut
9. Judith
10. Sappho
11. Aspasia
12. Boudica
13. Hypatia
Wing II: From the Beginnings of Christianity to the Reformation
14. Marcella
15. Saint Bridget
16. Theodora of Byzantium
17. Hrosvitha
18. Trotula of Salerno
19. Eleanor of Aquitaine
20. Hildegard of Bingen
21. Petronilla de Meath
22. Christine de Pisan
23. Isabella d'Este
24. Elizabeth R
25. Artemisia Gentileschi
26. Anna van Schurman
Wing III: From the American to the Women’s Revolution
27. Anne Hutchinson
28. Sacajawea
29. Caroline Herschel
30. Mary Wollstonecraft
31. Sojourner Truth
32. Susan B. Anthony
33. Elizabeth Blackwell
34. Emily Dickinson
35. Ethel Smyth
36. Margaret Sanger
37. Natalie Barney
38. Virginia Woolf
39. Georgia O'Keeffe
The names of 999 more Women of Achievement are represented in the floor tiles.
Text from: en.wikipedia.org/wiki/The_Dinner_Party
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