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Detail from the Engagement Ball, a 19th Century Stained Glass Triptych in the Metropolitan Museum of Art, May 2007
Title: La Danse des Fiançailles
Designer: Luc-Olivier Merson (French, Paris 1846–1920 Paris)
Maker: Eugêne Oudinot (French, 1827–1889)
Date: 1885
Culture: French, Paris
Medium: Stained glass
Dimensions: 96 x 120 in. (243.8 x 304.8 cm)
Classification: Glass-Stained
Credit Line: Bequest of Adelaide Mott Bell, 1901
Accession Number: 06.292a–c
The patron was the widow of Isaac Bell, a prominent New Yorker in the second half of the nineteenth century. In 1906, the panels were removed from a bay window in their apartment in the Knickerbocker Building, on Fifth Avenue at Twenty-eighth Street.
Eugène Oudinot was apprenticed as a painter at the Choisy-le-Roi porcelain factory outside Paris, but he thereafter specialized in stained glass. He made large windows for ecclesiastical and secular installations in his atelier at Passy, just outside Paris.
Text from: www.metmuseum.org/art/collection/search/188970
Designer: Luc-Olivier Merson (French, Paris 1846–1920 Paris)
Maker: Eugêne Oudinot (French, 1827–1889)
Date: 1885
Culture: French, Paris
Medium: Stained glass
Dimensions: 96 x 120 in. (243.8 x 304.8 cm)
Classification: Glass-Stained
Credit Line: Bequest of Adelaide Mott Bell, 1901
Accession Number: 06.292a–c
The patron was the widow of Isaac Bell, a prominent New Yorker in the second half of the nineteenth century. In 1906, the panels were removed from a bay window in their apartment in the Knickerbocker Building, on Fifth Avenue at Twenty-eighth Street.
Eugène Oudinot was apprenticed as a painter at the Choisy-le-Roi porcelain factory outside Paris, but he thereafter specialized in stained glass. He made large windows for ecclesiastical and secular installations in his atelier at Passy, just outside Paris.
Text from: www.metmuseum.org/art/collection/search/188970
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