Bramante's Tempietto as seen from the Front in Rom…
Bramante's Tempietto as seen from the Front in Rom…
Bramante's Tempietto as seen from the Front in Rom…
Bramante's Tempietto as seen from the Front in Rom…
Detail of Bramante's Tempietto in Rome, June 2012
Detail of Bramante's Tempietto in Rome, June 2012
Detail of Bramante's Tempietto in Rome, June 2012
Detail of Bramante's Tempietto in Rome, June 2012
Detail of Bramante's Tempietto in Rome, June 2012
Bramante's Tempietto from the Side in Rome, June 2…
Detail of the Triglyphs and Metopes on Bramante's…
Bramante's Tempietto from the Side in Rome, June 2…
Bramante's Tempietto from the Back in Rome, June 2…
Bramante's Tempietto from the Back in Rome, June 2…
Bramante's Tempietto from the Back in Rome, June 2…
Detail of the Altar inside the Lower Level of Bram…
Detail of a Relief on the Ceiling inside the Lower…
Detail of a Relief with a Cherub in the Lower Leve…
Detail of a Relief with a Cherub in the Lower Leve…
Detail of the Statue of St. Peter above the Altar…
The Interior of the Lower Level of Bramante's Temp…
The Interior of the Lower Level of Bramante's Temp…
Stairs Leading Down into Bramante's Tempietto in R…
Bramante's Tempietto as seen from the Front in Rom…
Bramante's Tempietto as seen from the Front in Rom…
Aura Statue in the Vatican Museum, July 2012
Aura Statue in the Vatican Museum, July 2012
Bronze Crowned Head of a Goddess in the Vatican Mu…
Bronze Crowned Head of a Goddess in the Vatican Mu…
Fragment of an Early Christian Sarcophagus in the…
Fragment of an Early Christian Sarcophagus in the…
Nenfro Head of the Etruscan Demon Charun from Tarq…
Nenfro Head of the Etruscan Demon Charun from Tarq…
Sandstone Female Statuette from Chiusi in the Vati…
Funerary Relief with a Bust of a Man from Palmyra…
Funerary Relief with a Bust of a Man from Palmyra…
Relief with Masks in the Vatican Museum, July 2012
Relief with Masks in the Vatican Museum, July 2012
Sophocles from the Theatre at Terracina in the Vat…
Sophocles from the Theatre at Terracina in the Vat…
Detail of an Alabaster Urn with a Reclining Male F…
Detail of an Alabaster Urn with a Reclining Male F…
Alabaster Urn with a Reclining Male Figure in the…
Alabaster Urn with a Reclining Male Figure in the…
Travertine Urn with a Reclining Female Figure in t…
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Bramante's Tempietto as seen from the Front in Rome, June 2012
The so-called Tempietto (Italian: "small temple") is a small commemorative tomb (martyrium) built by Donato Bramante, possibly as early as 1502, in the courtyard of San Pietro in Montorio. Also commissioned by Ferdinand and Isabella, the Tempietto is considered a masterpiece of High Renaissance Italian architecture.
After spending his first years in Milan, Bramante moved to Rome, where he was recognized by Cardinal Giuliano della Rovere, the soon-to-be Pope Julius II. One of Bramante's earliest commissions, the "Tempietto" is one of the most harmonious buildings of the Renaissance. It is meant to mark the traditional exact spot of St. Peter's martyrdom.
Given all the transformations of Renaissance and Baroque Rome that were to follow, it is hard now to sense the impact this building had at the beginning of the 16th century. It is almost a piece of sculpture, for it has little architectonic use. The building greatly reflected Brunelleschi's style. Perfectly proportioned, it is composed of slender Tuscan columns, a Doric entablature modeled after the ancient Theater of Marcellus, and a dome. According to an engraving in Sebastiano Serlio's Book III, Bramante planned to set it in within a colonnaded courtyard, but this plan was never executed.
Text from: en.wikipedia.org/wiki/San_Pietro_in_Montorio
Translate into English
After spending his first years in Milan, Bramante moved to Rome, where he was recognized by Cardinal Giuliano della Rovere, the soon-to-be Pope Julius II. One of Bramante's earliest commissions, the "Tempietto" is one of the most harmonious buildings of the Renaissance. It is meant to mark the traditional exact spot of St. Peter's martyrdom.
Given all the transformations of Renaissance and Baroque Rome that were to follow, it is hard now to sense the impact this building had at the beginning of the 16th century. It is almost a piece of sculpture, for it has little architectonic use. The building greatly reflected Brunelleschi's style. Perfectly proportioned, it is composed of slender Tuscan columns, a Doric entablature modeled after the ancient Theater of Marcellus, and a dome. According to an engraving in Sebastiano Serlio's Book III, Bramante planned to set it in within a colonnaded courtyard, but this plan was never executed.
Text from: en.wikipedia.org/wiki/San_Pietro_in_Montorio
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