The Pulpit from Pisa Cathedral – Weston Cast Court…
Porta Magna of San Petronio Basilica, Bologna – We…
Praying and Preying – Weston Cast Court, Victoria…
Very Spanish! – Weston Cast Court, Victoria and Al…
Portico de la Gloria – Weston Cast Court, Victoria…
The Natural History Museum – South Kensington, Lon…
Wrought Iron Fence Spear – Natural History Museum,…
A Wall of Beasts – Natural History Museum, South K…
Windows into the Past – Natural History Museum, So…
Romanesque Revival – Natural History Museum, South…
The Stone Menagerie – Natural History Museum, Sout…
The Main Entrance – Natural History Museum, South…
Monkeying Around – Natural History Museum, South K…
Columns of Columns – Natural History Museum, South…
Golden Arches – Natural History Museum, South Kens…
Fruity Frescoes – Natural History Museum, South Ke…
Convergence – Natural History Museum, South Kensin…
A Stonemason's Whimsy – Natural History Museum, So…
Dodo and Friends – Natural History Museum, South K…
The Hares on the Stairs – Natural History Museum,…
A Big Cat with Little Cubs – Natural History Museu…
A Stone Dove – Natural History Museum, South Kensi…
Megazostrodon – Natural History Museum, South Kens…
Scenes from the Nativity – Weston Cast Court, Vict…
Adam and Eve with the Serpent – Weston Cast Court,…
An Angled Angel – Weston Cast Court, Victoria and…
Trajan's Column – Weston Cast Court, Victoria and…
Moses from the Gallery – Weston Cast Court, Victor…
Moses by Michelangelo – Weston Cast Court, Victori…
David from on High – Weston Cast Court, Victoria a…
Hodge-Podge – Weston Cast Court, Victoria and Albe…
Electrical Coverup – Victoria and Albert Museum, S…
The Royal Monogram – John Madjeski Garden, Victori…
Better Than Gold – John Madjeski Garden, Victoria…
The Corner Suite – John Madjeski Garden, Victoria…
A Touch of Byzantium – John Madjeski Garden, Victo…
Queen Victoria, Centre of the Known World – John M…
Seeing Red – John Madjeski Garden, Victoria and Al…
"Wisdom Exalteth her Children …" – John Madjeski G…
The Corner of the Courtyard – John Madjeski Garden…
Looking Out at the Garden – Café and Bar, Victoria…
Chimney-piece from Dorchester House – Gamble Room,…
" ... good in his ..." – Gamble Room, Café and Bar…
Roll Out the Barrel – Gamble Room, Café and Bar, V…
Dorchester House Mantlepiece – Gamble Room, Café a…
Location
Lat, Lng:
Lat, Lng:
You can copy the above to your favourite mapping app.
Address: unknown
Lat, Lng:
You can copy the above to your favourite mapping app.
Address: unknown
See also...
Keywords
Authorizations, license
-
Visible by: Everyone -
All rights reserved
-
669 visits
The Evangelist – Pulpit from Pisa Cathedral, Weston Cast Court, Victoria and Albert Museum, South Kensington, London, England
The plaster cast of a pulpit was constructed after the marble original which once stood in the Cathedral of Pisa. The pulpit has inscriptions running round the frieze and the base that make it clear that the sculptor was Giovanni Pisano (1250-1314) and that the work was completed by 1311. Reliefs show scenes from the life of Christ and the The Last Judgement. A central support comprises images of the three Virtues over a base depicting the Liberal Arts. The two supports nearest the front of the pulpit depict Christ over the Four Evangelists and Ecclesia over the four Cardinal Virtues.
The original pulpit was dismantled in 1602 following a fire in the cathedral. A new pulpit by Fancelli was installed 25 years later, it used some of Pisano’s original carvings and the rest, including the narrative reliefs, were used elsewhere in the cathedral. Interest in the original appearance of the pulpit was re-awakened in the nineteenth century. Pisan sculptor Giovanni Fontana worked on a reconstruction carved from wood and in 1865 a group of British bronze sculptors produced their own reconstruction. The two reconstructions differed in detail. This cast seems to be from this 1865 reconstruction. Another copy of this cast was shown in the Exposition Universelle in Paris, in 1867.
The original pulpit was dismantled in 1602 following a fire in the cathedral. A new pulpit by Fancelli was installed 25 years later, it used some of Pisano’s original carvings and the rest, including the narrative reliefs, were used elsewhere in the cathedral. Interest in the original appearance of the pulpit was re-awakened in the nineteenth century. Pisan sculptor Giovanni Fontana worked on a reconstruction carved from wood and in 1865 a group of British bronze sculptors produced their own reconstruction. The two reconstructions differed in detail. This cast seems to be from this 1865 reconstruction. Another copy of this cast was shown in the Exposition Universelle in Paris, in 1867.
- Keyboard shortcuts:
Jump to top
RSS feed- Latest comments - Subscribe to the comment feeds of this photo
- ipernity © 2007-2024
- Help & Contact
|
Club news
|
About ipernity
|
History |
ipernity Club & Prices |
Guide of good conduct
Donate | Group guidelines | Privacy policy | Terms of use | Statutes | In memoria -
Facebook
Twitter
Sign-in to write a comment.