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Another grainy, crappy shot from the first roll of Fomapan Classic I ran through my Konica Autoreflex TC SLR. But the film wasn't at fault - the graininess was caused because some of the negatives, all the shots I took outdoors, were overexposed by snow and bright sunlight and to get the scanner to see them, I had to really adjust it. Doing so picked up all the grain. Most of these shots turned out terrible like this, but they begin to grow on me a little....
Camera: Konica Autoreflex TC
Lens: Konica Hexanon AR 50mm, f/1.7
Film: Fomapan Classic, 100 ISO black and white film
Filter: Hoya Skylight 1B
Aperture: F/16
Shutter speed: 1/125 sec.
Date: February 9th, 2010, 3.18 p.m.
Location: Norris City, Illinois, U.S.A.
Chemicals were all at 68 degrees:
Developer: Kodak D-76, for 6 minutes
Stopbath: Ilford Ilfostop, for 4 minutes
Fixer: Kodak Fixer, for 6 minutes
And I finished the developing process by soaking the negatives in Kodak Photo-Flo 200 for about 1 minute with moderate agitation.
Translate into English
Camera: Konica Autoreflex TC
Lens: Konica Hexanon AR 50mm, f/1.7
Film: Fomapan Classic, 100 ISO black and white film
Filter: Hoya Skylight 1B
Aperture: F/16
Shutter speed: 1/125 sec.
Date: February 9th, 2010, 3.18 p.m.
Location: Norris City, Illinois, U.S.A.
Chemicals were all at 68 degrees:
Developer: Kodak D-76, for 6 minutes
Stopbath: Ilford Ilfostop, for 4 minutes
Fixer: Kodak Fixer, for 6 minutes
And I finished the developing process by soaking the negatives in Kodak Photo-Flo 200 for about 1 minute with moderate agitation.
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