Darwin's Fireplace and the Baker's Dear Uncle
Wood Shavings turned Pope (1st version)
The Bellman and Sir Henry Lee (no marks)
Lacing Pillow
Thomas Cranmer's Burning
Nosemorph
The Vanishing and the Gneiss Rock
The Snark in your Dreams
The Uncle over Darwin's Fireplace
Carpenters Shop and Millais' Allusions
Wood Shavings turned Pope
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Two Bone Players
The Bankers Fate
White Spot
The Billiard Marker & Henry George Liddell
Dream Snarks
Paradise Lost and the Beaver's Lesson
Darwins snarked Study
Holiday - Millais - Anonymous - Galle; detail
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The removed "error" had a purpose
The Flaw was no Flaw
Mary's and the Baker's Kerchiefs
Schnarkverschlimmbesserung
Bonnet Head
Nose is a Nose is a Nose
Snarked: Henry George Liddell
Holiday - Millais- Anonymous - Galle, detail
Holiday and Gheeraerts I
The Carpenter and Ahasuerus
From Doré's Root to Holiday's Rat
42 Boxes meet the Iconoclasts
Thumb & Lappet
Billiard-Marker & Henry George Liddell
Snark Hunt: Square One
Hidden Carrol
Thomas Cranmer's 42 Boxes
"But if ever I meet with a Boojum, that day, I sha…
The Butcher and Benjamin Jowett
Ditchley Snark
Ditchley Snark
While he rattled a couple of bones
While he rattled a couple of bones
Anne I?
Tree of Life
The Bellman and Father Time
Snark Hunting with the HMS Beagle
Inspiration by Reinterpretation
The Bellman and Sir Henry Lee
Star and Tail
Darwin's Study and the Baker's Uncle
Kerchiefs and other shapes
Holiday - Millais - Anonymous - Galle
42 Boxes, Sheep, Iconoclasm
Holiday - Millais - Anonymous - Galle
From Doré's Root to Holiday's Rat
Anne Hale Mrs. Hoskins
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Henry George Liddell in "The Hunting of the Snark"
This was my first image showing Henry Holiday's depiction of the Billiard marker in Lewis Carroll's The Hunting of the Snark (1876). The face in color and in the background is Henry George Liddell's face (painted by Sir Hubert von Herkomer in 1891). Liddell was Carroll's (Dodgson's) superior in Christ Church, Oxford.
In this image, I had been fooling around a bit: I gave Liddell the Billiard marker's wig. And I gave Liddel's chin back to the Billiard marker. I am not hiding anything: The red dots indicate my manipulations, and in the lower part of the image you can see the unmanipulated elements.
Later I discovered, that the comparison between Liddell at age 28 and a draft by Holiday's of the Billiard marker yielded a much stronger resemblance:
Perhaps Carroll/Dodgson did not accept such an obvious resemblance. So Holiday finally showed an older Billiard marker with a wig (which slipped a bit out of position) . Holiday also chopped off the Billard marker's chin, but left its shadow in his illustration. That is no mistake. Thus, the real Liddell would not really be able to find himself depicted as the Billiard marker playing foul in the Snark.
However, the shadow just could be a bow tie. Who knows?
In this image, I had been fooling around a bit: I gave Liddell the Billiard marker's wig. And I gave Liddel's chin back to the Billiard marker. I am not hiding anything: The red dots indicate my manipulations, and in the lower part of the image you can see the unmanipulated elements.
Later I discovered, that the comparison between Liddell at age 28 and a draft by Holiday's of the Billiard marker yielded a much stronger resemblance:
Perhaps Carroll/Dodgson did not accept such an obvious resemblance. So Holiday finally showed an older Billiard marker with a wig (which slipped a bit out of position) . Holiday also chopped off the Billard marker's chin, but left its shadow in his illustration. That is no mistake. Thus, the real Liddell would not really be able to find himself depicted as the Billiard marker playing foul in the Snark.
However, the shadow just could be a bow tie. Who knows?
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Details from a preparatory draft of the Billiard marker by Henry Holiday and from an image depicting Liddell at age 28.
A bow tie or a shadow?
2014
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