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The Snark in your Dreams
"But if ever I meet with a Boojum, that day, I sha…
Hidden Carrol
Snark Hunt: Square One
Billiard-Marker & Henry George Liddell
Bonnet Head
Thumb & Lappet
42 Boxes meet the Iconoclasts
From Doré's Root to Holiday's Rat
The Carpenter and Ahasuerus
Holiday and Gheeraerts I
Holiday - Millais- Anonymous - Galle, detail
Snarked: Henry George Liddell
Henry George Liddell in "The Hunting of the Snark"
Darwin's Fireplace and the Baker's Dear Uncle
Wood Shavings turned Pope (1st version)
The Bellman and Sir Henry Lee (no marks)
Lacing Pillow
Thomas Cranmer's Burning
Nosemorph
The Vanishing and the Gneiss Rock
Tnetopinmo
Holiday - Millais - Anonymous - Galle; detail
The Uncle over Darwin's Fireplace
Carpenters Shop and Millais' Allusions
Wood Shavings turned Pope
So great was his fright that his waistcoat turned…
The Bankers Fate
Two Bone Players
White Spot
The Billiard Marker & Henry George Liddell
Dream Snarks
Paradise Lost and the Beaver's Lesson
Darwins snarked Study
Heads by Henry Holiday and Marcus Gheeraerts the E…
The removed "error" had a purpose
The Flaw was no Flaw
Mary's and the Baker's Kerchiefs
Schnarkverschlimmbesserung
Nose is a Nose is a Nose
Ditchley Snark
While he rattled a couple of bones
While he rattled a couple of bones
Anne I?
Tree of Life
The Bellman and Father Time
Snark Hunting with the HMS Beagle
Inspiration by Reinterpretation
The Bellman and Sir Henry Lee
Star and Tail
Darwin's Study and the Baker's Uncle
Kerchiefs and other shapes
Holiday - Millais - Anonymous - Galle
From Doré's Root to Holiday's Rat
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The Bandersnatch fled as the others appeared
Millais, Anonymous, Galle
An Expedition Team
Holiday - Millais - Anonymous - Galle
Holiday - Millais- Anonymous - Galle, detail
Holiday and Gheeraerts I
Doré (1863), Holiday (1876), Doré (1866)
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Ditchley Snark
The image shows Henry Holiday's illustration (1876) to the front cover of Lewis Carroll's The Hunting of the Snark compared to a grey shaded reproduction of the Ditchley Portrait (a gift from Sir Henry Lee to Queen Elizabeth I, c. 1592) by Marcus Gheeraerts the Younger.
"While I concede Tufail 's thesis (2003) that Holiday received his instructions from Carroll and created his illustrations to reflect Carroll's cryptic messages and allusions, I contend that the interpretations given to the words we know so well by so many illustrators over a period in excess of 130 years continue to keep the Snark alive. Furthermore, it is my personal belief that Holiday managed to slip in a few interpretations of his own even though Carroll approved of the end result."
(Doug Howick: The Hiihijig of the Bijtcheb, Knight Letter #28, Summer 2009)
Perhaps Tufail and Howick both are right. There is more:
"The 'clouds' - or what at first glance appear to be clouds, are another item of considerable interest. If these are indeed supposed to represent clouds, then they are remarkably poor renditions (and Holiday was by no means either a poor, nor slipshod artist). Rather any close examination of this aspect of the illustration leads the observer to think that this background to the Bellman is actually a map, complete with rivers. contrast to the map Bellman presents to his admiring crew."
(John Tufail, The Illuminated Snark, 2004)
As Henry Holiday in his Snark illustrations frequently alluded to works of father&son Gheeraerts, John Tufail's Illuminated Snark gave me the idea to search for a Gheeraerts painting in which a map is shown. John reckoned, that the clouds in Holiday's front cover illustration may be part of a map. I think that this possibility cannot be excluded. John's assumption then drew my attention to the Ditchley portrait. (The Ditchley portrait again helped me to find sources for Holiday's illustration to the back cover of Carroll's book as well.)
2013-12: Evidence supporting of John Tufail's thesis: www.doylenewyork.com/asp/fullcatalogue.asp?salelot=13BP04+++553+&refno=++953647&image=0 (see also: groups.yahoo.com/neo/groups/carrolliana/conversations/topics/358)
"While I concede Tufail 's thesis (2003) that Holiday received his instructions from Carroll and created his illustrations to reflect Carroll's cryptic messages and allusions, I contend that the interpretations given to the words we know so well by so many illustrators over a period in excess of 130 years continue to keep the Snark alive. Furthermore, it is my personal belief that Holiday managed to slip in a few interpretations of his own even though Carroll approved of the end result."
(Doug Howick: The Hiihijig of the Bijtcheb, Knight Letter #28, Summer 2009)
Perhaps Tufail and Howick both are right. There is more:
"The 'clouds' - or what at first glance appear to be clouds, are another item of considerable interest. If these are indeed supposed to represent clouds, then they are remarkably poor renditions (and Holiday was by no means either a poor, nor slipshod artist). Rather any close examination of this aspect of the illustration leads the observer to think that this background to the Bellman is actually a map, complete with rivers. contrast to the map Bellman presents to his admiring crew."
(John Tufail, The Illuminated Snark, 2004)
As Henry Holiday in his Snark illustrations frequently alluded to works of father&son Gheeraerts, John Tufail's Illuminated Snark gave me the idea to search for a Gheeraerts painting in which a map is shown. John reckoned, that the clouds in Holiday's front cover illustration may be part of a map. I think that this possibility cannot be excluded. John's assumption then drew my attention to the Ditchley portrait. (The Ditchley portrait again helped me to find sources for Holiday's illustration to the back cover of Carroll's book as well.)
2013-12: Evidence supporting of John Tufail's thesis: www.doylenewyork.com/asp/fullcatalogue.asp?salelot=13BP04+++553+&refno=++953647&image=0 (see also: groups.yahoo.com/neo/groups/carrolliana/conversations/topics/358)
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