While he rattled a couple of bones
IT WAS A BOOJUM
Ditchley Snark
Ditchley Snark
The Snark in your Dreams
Hidden Carrol
Neuman, Butcher, Jowett
Crossing the Line
The Bellman and Father Time
Inspiration by Reinterpretation
Anne Hale Mrs. Hoskins
The Broker's and the Monk's Nose
William III, Religion and Liberty, Care and Hope
Weeds turned Horses (BW)
Monster Face
Doré (1863), Holiday (1876), Doré (1866)
Holiday and Gheeraerts I
Henry Holiday alluding to John Martin
A Nose Job
Billiard-Marker & Henry George Liddell
Gnarly Monstrance
Bellmen
From Doré's Root to Holiday's Rat
The Banker's Nose and Spectacles
The Bellman and Sir Henry Lee
Star and Tail
Kerchiefs and other shapes
Holiday - Millais - Anonymous - Galle
From Doré's Root to Holiday's Rat
The Bandersnatch fled as the others appeared
Holiday - Millais - Anonymous - Galle
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While he rattled a couple of bones
[left]: Segment from an Illustration by Henry Holiday to Lewis Carroll's The Hunting of the Snark (1876).
[right, mirror view]: The Bone Player (1856) by William Sidney Mount, now displayed in MFA, Boston.
· · 513· · He was black in the face, and they scarcely could trace
· · 514· · · · The least likeness to what he had been:
· · 515· · While so great was his fright that his waistcoat turned white-
· · 516· · · · A wonderful thing to be seen!
· · 517· · To the horror of all who were present that day.
· · 518· · · · He uprose in full evening dress,
· · 519· · And with senseless grimaces endeavoured to say
· · 520· · · · What his tongue could no longer express.
· · 521· · Down he sank in a chair--ran his hands through his hair--
· · 522· · · · And chanted in mimsiest tones
· · 523· · Words whose utter inanity proved his insanity,
· · 524· · · · While he rattled a couple of bones.
Mahendra Singh guided me to Mount's painting. I found a painting depicting a bone player in his blog which Mahendra used to tell us something about the bone ratteling Banker. Mahendra is a professional illustrator who not only is one of the few curageous and curious Snark hunters, but also (like Holiday) a very gifted architect of Snark conundrums in his own right. Just look at his own illustrations to his Snark edition (2010).
(justtheplaceforasnark.blogspot.com/2012/01/fit-7-pg-752-d...)
Mount painted The Bone Player after receiving a commission from the printers Goupil and Company for two pictures of African-American musicians to be lithographed (e.g. by Jean-Baptiste Adolphe Lafosse) for the European market. These became the last in a series of five life-size likenesses of musicians that Mount executed between 1849 and 1856.
(www.mfa.org/collections/object/the-bone-player-33207)
Could Henry Holiday have seen that lithograph? In London, Goupil & Cie was established by Ernest Gambart. 17 Southampton Street. Moved to 25 Bedford Street, Strand in 1875 when Goupil & Cie took over Holloway & Sons and their salerooms. Goupil's manager in London was at this time Charles Obach.
(en.wikipedia.org/wiki/Goupil_&_Cie)
[right, mirror view]: The Bone Player (1856) by William Sidney Mount, now displayed in MFA, Boston.
· · 513· · He was black in the face, and they scarcely could trace
· · 514· · · · The least likeness to what he had been:
· · 515· · While so great was his fright that his waistcoat turned white-
· · 516· · · · A wonderful thing to be seen!
· · 517· · To the horror of all who were present that day.
· · 518· · · · He uprose in full evening dress,
· · 519· · And with senseless grimaces endeavoured to say
· · 520· · · · What his tongue could no longer express.
· · 521· · Down he sank in a chair--ran his hands through his hair--
· · 522· · · · And chanted in mimsiest tones
· · 523· · Words whose utter inanity proved his insanity,
· · 524· · · · While he rattled a couple of bones.
Mahendra Singh guided me to Mount's painting. I found a painting depicting a bone player in his blog which Mahendra used to tell us something about the bone ratteling Banker. Mahendra is a professional illustrator who not only is one of the few curageous and curious Snark hunters, but also (like Holiday) a very gifted architect of Snark conundrums in his own right. Just look at his own illustrations to his Snark edition (2010).
(justtheplaceforasnark.blogspot.com/2012/01/fit-7-pg-752-d...)
Mount painted The Bone Player after receiving a commission from the printers Goupil and Company for two pictures of African-American musicians to be lithographed (e.g. by Jean-Baptiste Adolphe Lafosse) for the European market. These became the last in a series of five life-size likenesses of musicians that Mount executed between 1849 and 1856.
(www.mfa.org/collections/object/the-bone-player-33207)
Could Henry Holiday have seen that lithograph? In London, Goupil & Cie was established by Ernest Gambart. 17 Southampton Street. Moved to 25 Bedford Street, Strand in 1875 when Goupil & Cie took over Holloway & Sons and their salerooms. Goupil's manager in London was at this time Charles Obach.
(en.wikipedia.org/wiki/Goupil_&_Cie)
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