Holiday - Millais- Anonymous - Galle, detail
Holiday - Millais - Anonymous - Galle
An Expedition Team
h91
h90
h80
h70
h60
h50
h30
h20
h11
h00
h01
h10
h12
h40
The Bard (detail)
Monster Feet
Monster Face
Weeds turned Horses (detail)
Weeds turned Horses
Weeds turned Horses (BW)
The Paranoiac-Critical Method serves the Art of De…
The Bandersnatch fled as the others appeared
With yellow kid gloves and a ruff
Thomas Cranmer's 42 Boxes
42 Boxes, Sheep, Iconoclasm
Anne Hale Mrs. Hoskins
Anne Hale Mrs. Hoskins
From Doré's Root to Holiday's Rat
Holiday - Millais - Anonymous - Galle
Kerchiefs and other shapes
Darwin's Study and the Baker's Uncle
William III, Religion and Liberty, Care and Hope
Star and Tail
The Bellman and Sir Henry Lee
Inspiration by Reinterpretation
Snark Hunting with the HMS Beagle
The Bellman and Father Time
Tree of Life
Anne I?
Crossing the Line
While he rattled a couple of bones
While he rattled a couple of bones
IT WAS A BOOJUM
Ditchley Snark
Ditchley Snark
The Bell?
Beagle and Beagle?
The Snark in your Dreams
"But if ever I meet with a Boojum, that day, I sha…
Thomas Cramer's hand?
Hidden Carrol
Snark Hunt: Square One
Billiard-Marker & Henry George Liddell
Priest in the Mouth
Bonnet Head
Bard and Bellman
Gnarly Monstrance
Thumb & Lappet
Bellmen
42 Boxes meet the Iconoclasts
Henry Holiday's and M.C. Escher's allusions to Joh…
Hennry Holiday, the Bonnetmaker and a Bonnet
Doré (1863), Holiday (1876), Doré (1866)
The Hunting Of The Snark
A Nose Job
Henry Holiday alluding to John Martin
The Hunting of the Snark
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Holiday and Gheeraerts I
Illustration by Henry Holiday to The Hunting of the Snark (1876, chapter The Vanishing) and The Image Breakers (1566-1568) by Marcus Gheeraerts the Elder.
How does blurring help to compare the images? The Priest in the Mouth detail is displayed using two high resolution images (middle) which then again have been low pass filtered (bottom). That filtering helps to focus on larger structures.
This was the first allusion by Henry Holiday to another work of art which I discovered in December 2008.
How does blurring help to compare the images? The Priest in the Mouth detail is displayed using two high resolution images (middle) which then again have been low pass filtered (bottom). That filtering helps to focus on larger structures.
This was the first allusion by Henry Holiday to another work of art which I discovered in December 2008.
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