burnt norton
rain rain go away
what century is it?
thinkin' 'bout animals in love
birds gotta swim, fish gotta fly
dysfunctional family
the woman is a prophet
the partially invisible mixed-up transvestite
a chaos of feelings
overwhelmed by thirsty birds
push comes to love
"I hate being an object"
the streets are sunken
the world upside
odalisque with fish
spots on sharks
fish in the city
monsters in the mud
shades
homage to "krazy kat"
"holy palm trees, batman! it's a parade!"
il ne se baigne pas
her majesty obscured
her opinions were highly valued
carbon black and h2o, round two
carbon black and h2o, round one
asemic green
stilettos
neon psychic
stamps à la canada
plastic plastic metal metal metal
dreaming of railroad tracks and pedestal
kitchen in ocean park no. 67
marat dying with butterflies
pygoplites diacanthus
uncertainty of the poet, altered
the measure of her grief
fuzzy flashy funky
homage to felix gonzalez-torres's "untitled (perfe…
second homage to joseph cornell
lemur-arp-albers
butterflies and foil and other things
a little bit of gold
big round pumpkins (& an eggplant) sprouting in pa…
après le déluge, ceci
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big bad competitive feeling
Cut-paper collage inspired by my musing on the subject of competition.
I like this technique: putting foreground pieces together with background mortar between them, like what masons do in making a stone fireplace. But sorry, friends... I'm not very good at it. I need more practice.
The piece in the upper right corner is from a painting by Francis Picabia. Picabia was a key player in the Dada movement, both in Paris and in New York. He had a lot of money, which he used generously--e.g., printing lots of Dada publications.
If you're into Dada, I have a book to recommend: Destruction Was My Beatrice: Dada and the Unmaking of the Twentieth Century by Jed Rasula. The hardcover price (at Amazon) has plunged to under ten dollars, which gives me the impression it's not going to be in print very long. So act fast! I give it five stars!
I like this technique: putting foreground pieces together with background mortar between them, like what masons do in making a stone fireplace. But sorry, friends... I'm not very good at it. I need more practice.
The piece in the upper right corner is from a painting by Francis Picabia. Picabia was a key player in the Dada movement, both in Paris and in New York. He had a lot of money, which he used generously--e.g., printing lots of Dada publications.
If you're into Dada, I have a book to recommend: Destruction Was My Beatrice: Dada and the Unmaking of the Twentieth Century by Jed Rasula. The hardcover price (at Amazon) has plunged to under ten dollars, which gives me the impression it's not going to be in print very long. So act fast! I give it five stars!
Spo, Petar Bojić, buonacoppi, xenophora and 6 other people have particularly liked this photo
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Françoise: Et toi? Est-ce que tu es jamais competitive?
German folks: Wie steht's bei euch? Seid ihr jemals wetteifernd?
We're all artists here. We can speak frankly. Have you ever had the feeling? Do you find it embarrassing?
I do. I feel it, and I'm embarrassed by it. I think that's why, in my zebra collage, I built stone walls around it.
This is more competition for the sake of the work, primarily, rather than for the bruised & insecure ego. When driven by the latter, though, competition is horribly destructive, it seems to me, and any "success" is invariably tainted & finally empty ... as empty as the person? Maybe. Or maybe that's the idealist in me. :)
I've been lucky enough to have a couple of pieces selected for local juried art shows in the past, even to have a couple win a small prize with a few others. Of course it felt very good indeed! But I don't recall feeling angry or cheated because someone else took first place, because I could see how good their work was. And I didn't feel as if it made my work any less good, which I now see was quite sensible of me.
Robert Bly once spoke about the sweetness of the yearning for something unreachable. He was speaking with Bill Moyers & talked about yearning to be as great a poet as Shakespeare, while knowing that he never would or could be ... and yet the yearning was sweet to him, not bitter, and it actually enabled him to create better work of his own, better than he might have thought possible for himself in the past. This, I understand ...
I just dumped my Amazon account last month, but maybe the library will come to my rescue.
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