Ada Crossley
Clara Butt
Ada Crossley
Ada Crossley
Ada Crossley
Lina Cavaleiri
Lina Cavaleiri
Gemma Bellincioni
Gemma Bellincioni
Lily Pons
Lily Pons
Hatrei Gorvainov
Leonid Sobinov
Leonid Sobinov
Leonid Sobinov
Leonid Sobinov
Leonid Sobinov
Dmitri Smirnov
Feodor Chaliapin
Reta Walter & Adolf Hesse
Alfred Von Bary
Geraldine Farrar
Geraldine Farrar
Clara Butt
Clara Butt & Kennerley Rumford
Clara Butt & Kennerley Rumford
Clara Butt & Kennerley Rumford
Clara Butt & Kennerley Rumford
Clara Butt
Nellie Melba
Nellie Melba
Nellie Melba
Nellie Melba
Nellie Melba
Hermine Bosetti
Herman Winklemann by Krziwanek
Theodor Reichmann by Krziwanek
Edyth Walker by Szekely
Margaret Von Vahsel Autograph
Margaret Von Vahsel by Tiedermann Autographed
Juliette Bilbaut-Vauchelet by Disderi Delie Succ
Giovanni Zucchini by Mayer & Pierson
Emile Brulfert by Ogerau with autograph
Marie Marimon By Downey
Jean Baptiste Faure by Reutlinger
Clara Butt
Clara Butt
1872-1936
English Contralto
Studied with Daniel Rootham in Bristol and John Hnery Blower at The Royal Academy of Music and also took studied in Paris with Jacques Bouhy ,and Etelka Gerster in Berlin and Italy.professional debut at Royal Albert Hall in “the Golden Legend” by Sullivan in 1895.She performed mostly in concert and Oratario. Her only Covent Garden performace was as Orfeo in “Orfeo et Euridice” by Gluck in 1920. Her voice, both powerful and deep, impressed contemporary composers such as Saint-Saëns and Elgar; the latter composed a song-cycle with her in mind as soloist. Camille Saint-Saëns heard her, and wanted her to study his opera Dalila, but at the time the representation of biblical subjects on the British stage was forbidden, and nothing came of it.Later in her career she frequently appeared in recitals together with her husband, the baritone Kennerley Rumford
1872-1936
English Contralto
Studied with Daniel Rootham in Bristol and John Hnery Blower at The Royal Academy of Music and also took studied in Paris with Jacques Bouhy ,and Etelka Gerster in Berlin and Italy.professional debut at Royal Albert Hall in “the Golden Legend” by Sullivan in 1895.She performed mostly in concert and Oratario. Her only Covent Garden performace was as Orfeo in “Orfeo et Euridice” by Gluck in 1920. Her voice, both powerful and deep, impressed contemporary composers such as Saint-Saëns and Elgar; the latter composed a song-cycle with her in mind as soloist. Camille Saint-Saëns heard her, and wanted her to study his opera Dalila, but at the time the representation of biblical subjects on the British stage was forbidden, and nothing came of it.Later in her career she frequently appeared in recitals together with her husband, the baritone Kennerley Rumford
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