Luise Perard-Petzl
Leonid Sobinov
Leonid Sobinov
Leonid Sobinov
Leonid Sobinov
Leonid Sobinov
Leonid Sobinov
Emmy Destinn
Luise Perard-Petzl
Fritz Soot
Karl Jorn
Karl Jorn
Richard Mayr
Mathilde Albertine Craponne
Mathilde Albertine Craponne
Baptist Hoffmann
Baptist Hoffmann &Emilie Herzog
Nelly Martyl
Nelly Martyl
Rosa Ethofer
Gervase Elwes
Ernestine Schumann-Heink
Marius Chambon
Genevieve Mathieu-Lutz
Genevieve Mathieu-Lutz
Jeanne Raunay
Jeanne Raunay
Jeanne Raunay
Jeanne Wayda
Lucette Korsoff
Lucette Korsoff
Georgette Brejean-Gravere
Georgette Brejean-Gravere
Jeanne Suzanne Huchet- Rousseliere
Eleonora de Cisneros
Eleonora de Cisneros
Jean-Baptiste Noté
Jean-Baptiste Noté
Jean-Baptiste Noté
Ernestine Schumann-Heink
Ernestine Schumann-Heink
Ernestine Schumann-Heink
Ernestine Schumann-Heink
Ernestine Schumann-Heink
Ernestine Schumann-Heink
See also...
Yvonne Brothier


as l'amour "Orpheo & Euridice" by Gluck
Yvonne Brothier
1889 -1967)
French Soprano
After singing in Brussels in 1914, she made her début at the Opéra-comique on 13 February 1916 in “ Lakmé” by Delibes. She went on to create roles in Louis Aubert's La forêt bleue “ (Red Riding Hood )(French premiere), Graziella (title role), Marcel Samuel-Rousseau's” Le Hulla “ (Dilara), Raoul Laparra's “Le joueur de viole” (the young girl), Fauré's “Masques et Bergamasques” Charles-Henri Maréchal's “Ping-Sin” (title role) and Sylvio Lazzari's “Le sauteriot” (Orti).
Her repertoire at the Opéra-Comique also included Rosina (The Barber of Seville), Micaëla (Carmen), Olympia (Les contes d'Hoffmann), Melisande (Pelléas et Mélisande), Mireille, Rosenn (Le roi d'Ys), Minka (Le roi malgré lui) and Zaire (Les Indes galantes).[2]
Appeared at the Paris Opera in 1931 in the first performance of Virginie by Alfred Bruneau, later singing Sophie in “Der Rosenkavalier” and Rosine in “The Barber of Seville” (both in French). She also sang in Amsterdam, La Scala and in Spain and north Africa.
She retired in 1940 and devoted herself to teaching.
Yvonne Brothier
1889 -1967)
French Soprano
After singing in Brussels in 1914, she made her début at the Opéra-comique on 13 February 1916 in “ Lakmé” by Delibes. She went on to create roles in Louis Aubert's La forêt bleue “ (Red Riding Hood )(French premiere), Graziella (title role), Marcel Samuel-Rousseau's” Le Hulla “ (Dilara), Raoul Laparra's “Le joueur de viole” (the young girl), Fauré's “Masques et Bergamasques” Charles-Henri Maréchal's “Ping-Sin” (title role) and Sylvio Lazzari's “Le sauteriot” (Orti).
Her repertoire at the Opéra-Comique also included Rosina (The Barber of Seville), Micaëla (Carmen), Olympia (Les contes d'Hoffmann), Melisande (Pelléas et Mélisande), Mireille, Rosenn (Le roi d'Ys), Minka (Le roi malgré lui) and Zaire (Les Indes galantes).[2]
Appeared at the Paris Opera in 1931 in the first performance of Virginie by Alfred Bruneau, later singing Sophie in “Der Rosenkavalier” and Rosine in “The Barber of Seville” (both in French). She also sang in Amsterdam, La Scala and in Spain and north Africa.
She retired in 1940 and devoted herself to teaching.
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