Nellie Melba
Nellie Melba
Nellie Melba
Nellie Melba
Nellie Melba
Martyn by Maunory
Martyn by Lagrange
Pauline Lauters- Gueymard by Bureau
Victor Prilleux by Loisel
Lina Cavalieri
Lina Cavalieri
Lina Cavalieri
Lina Cavalieri
Ada Crossley
Ada Crossley
Ada Crossley
Ada Crossley
Clara Butt
Clara Butt
Clara Butt
Clara Butt
Kennerley Rumford
Kennerley Rumford & Clara Butt
Nellie Melba
Nellie Melba
Nellie Melba
Nellie Melba
Nellie Melba
Nellie Melba
Nellie Melba
Nellie Melba
Nellie Melba
Nellie Melba
Nellie Melba
Nellie Melba
Jacques Urlus
Hermine Bosetti
Hermine Bosetti
Hermine Bosetti
Hermine Bosetti
Marianne Tcherkasskaya
Marianne Tcherkasskaya
Natalia Yermolenko-Yuzhina
Natalia Yermolenko-Yuzhina
Jeanne Hatto
Nellie Melba
As Rosina "Barber of Saville" Rossini
Dame NELLIE MELBA GBE
(Helen Porter Mitchell)
(19 May 1861 – 23 February 1931),
Australian Soprano
Melba studied singing in Melbourne and made a modest success in performances there. After a brief and unsuccessful marriage, she moved to Europe in search of a singing career. Failing to find engagements in London in 1886, she studied in Paris and soon made a great success there and in Brussels. Returning to London she quickly established herself as the leading lyric soprano at Covent Garden from 1888. She soon achieved further success in Paris and elsewhere in Europe, and later at the Metropolitan Opera, New York, debuting there in 1893. Her repertoire was small; in her whole career she sang no more than 25 roles and was closely identified with only ten. She was known for her performances in French and Italian opera, but sang little German opera
Dame NELLIE MELBA GBE
(Helen Porter Mitchell)
(19 May 1861 – 23 February 1931),
Australian Soprano
Melba studied singing in Melbourne and made a modest success in performances there. After a brief and unsuccessful marriage, she moved to Europe in search of a singing career. Failing to find engagements in London in 1886, she studied in Paris and soon made a great success there and in Brussels. Returning to London she quickly established herself as the leading lyric soprano at Covent Garden from 1888. She soon achieved further success in Paris and elsewhere in Europe, and later at the Metropolitan Opera, New York, debuting there in 1893. Her repertoire was small; in her whole career she sang no more than 25 roles and was closely identified with only ten. She was known for her performances in French and Italian opera, but sang little German opera
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