Anna De Belocca by Reutlinger
Zina Dalti by Reutlinger
Mme Dauglade ? Dariglade ? by Unknown
Marie Basta-Tavary by Unkown
Josef Ritter by Krziwanek
Ritter Autograph Reverse
Lilli Lehmann by Schaarwachter
Jeanne Louise Tiphaine by Van Bosch
Nellie Melba by Reutlinger
Nellie Melba by Reutlinger
Nellie Melba by Unknown
Rosa Ethofer by Carl Bellach
Rosa Ethofer by Carl Bellach
Jean-Baptiste Faure by Reutlinger
Joseph Couderc by Numa Blanc
Alexandre Gourdin by Erwin Freres
Adelina Patti by Luckhardt (18)
Unknown by Liebert
Henry Sellier by Lopez
Emilie Bertin by Erwin Freres
Sigrid Arnoldson
Sigrid Arnoldson
Sigrid Arnoldson
Rose Sucher by Bieber
Desiree Artot de Padilla by Bieber
Nellie Melba by Unknown Autographed
Euphrosyne Parepa-Rosa by Sereoscopic Co
Emma Calve by Aime Dupont
Emma Calve by Aime Dupont
Unknown
Jules Layolle by Unknown
Edmond Cabel by Bureau
Fernand Francell
Blanche Marchesi ?????
Frieda Hempel
Frieda Hempel
Frieda Hempel
Lillian Nordica
Lillian Nordica
Lillian Nordica
Lillian Nordica
Zina Brozia
Zina Brozia
Zina Brozia
Zina Brozia
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- Photo replaced on 08 Oct 2015
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Jean De Reszke by Benque
De Reszke as Rodrigue "Le Cid" by Massenet CREATOR Paris 30/11/1885
JEAN DE RESZKE
(Jan Mieczyslaw RESZKE )
(14 January 1850 – 3 April 1925),
Polish Tenor
abandoned his legal training and went to Milan in Italy to study voice. The most acclaimed of the pedagogues consulted by the young de Reszke was Antonio Cotogni, an eminent baritone who was a favorite of Giuseppe Verdi's.
In January 1874, he made his debut in Venice as Jan de Reschi (he later changed it to Jean de Reszke), undertaking the baritone part of Alfonso in a production of Donizetti's La favorite . The following April, he sang for the first time in London, performing at the Theatre Royal, Drury Lane, and a little later in Paris, essaying an array of different baritone roles.
De Reszke displayed limitations as a baritone and he withdrew from the stage to allow for a further period of study, this time with Giovanni Sbriglia in Paris. Under Sbirgilia's tutelage, his voice gained remarkably in the freedom of its upper register. Accordingly, when he made his first operatic reappearance in 1879 (in Madrid), it was as a tenor, scoring a success in the title-role of Meyerbeer's Robert le diable. Indeed, the then 29-year-old de Reszke's immense fame as a singer dates
JEAN DE RESZKE
(Jan Mieczyslaw RESZKE )
(14 January 1850 – 3 April 1925),
Polish Tenor
abandoned his legal training and went to Milan in Italy to study voice. The most acclaimed of the pedagogues consulted by the young de Reszke was Antonio Cotogni, an eminent baritone who was a favorite of Giuseppe Verdi's.
In January 1874, he made his debut in Venice as Jan de Reschi (he later changed it to Jean de Reszke), undertaking the baritone part of Alfonso in a production of Donizetti's La favorite . The following April, he sang for the first time in London, performing at the Theatre Royal, Drury Lane, and a little later in Paris, essaying an array of different baritone roles.
De Reszke displayed limitations as a baritone and he withdrew from the stage to allow for a further period of study, this time with Giovanni Sbriglia in Paris. Under Sbirgilia's tutelage, his voice gained remarkably in the freedom of its upper register. Accordingly, when he made his first operatic reappearance in 1879 (in Madrid), it was as a tenor, scoring a success in the title-role of Meyerbeer's Robert le diable. Indeed, the then 29-year-old de Reszke's immense fame as a singer dates
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