Armida Parsi Pettinella AUTOGRAPHED
Ada Crossley AUTOGRAPHED
Ada Crossley AUTOGRAPHED
Ada Crossley AUTOGRAPHED
Hedwig Francillo-Kauffmann AUTOGRAPHED
Alfred Jerger AUTOGRAPHED
Lucy Weidt AUTOGRAPHED
Gladys Moncrieff AUTOGRAPHED
Georg Maikl AUTOGRAPHED
Georg Maikl AUTOGRAPHED
Theodor Lattermann AUTOGRAHED
Lucien Muratore
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Marcella Sembrich
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Lucienne Breval
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Edgar Schofield AUTOGRAPHED
Peter Dawson AUTOGRAPHED
Franz Naval
Franz Naval
Walther Gunther Braun
Antonio Scotti
Antonio Scotti
Geneviève Vix AUTOGRAPHED
Geneviève Vix
Geneviève Vix
Geneviève Vix
Geneviève Vix
Geneviève Vix
Geneviève Vix
Louise Grandjean
Louise Grandjean
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Louise Grandjean Autograph 1909
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John Brownlee AUTOGRAPHED
JOHN BROWNLEE
1900-1969
Australian Baritone
He entered a singing contest in Ballarat, winning first prize even though he had never had a lesson. Several singing engagements followed. One of these, a performance of Messiah, was attended by Nellie Melba, who convinced him to go to Paris for serious study with Dinh Gilly. His debut took place at Covent Garden on 8 June 1926, in the performance of " La bohème " in which Melba made her farewell appearance. That autumn he was engaged by the Paris Opera, the first time a British subject had been made a permanent member of that company; his Paris debut was in Thaïs in 1927.On 17 February 1937, he appeared for the first time at the Metropolitan Opera. The opera was Rigoletto. Besides making important appearances elsewhere, Brownlee remained a regular at Covent Garden, the Paris Opera, and the Met, making his last performance there in March 1957.
Brownlee's greatest successes were in the Mozart repertory, particularly at the Glyndebourne Festival. He was also acclaimed in Salome and Pelléas et Mélisande. After retiring from singing, Brownlee became a stage director, making his debut at the Met on 27 November 1958 during a performance of Die Fledermaus
1900-1969
Australian Baritone
He entered a singing contest in Ballarat, winning first prize even though he had never had a lesson. Several singing engagements followed. One of these, a performance of Messiah, was attended by Nellie Melba, who convinced him to go to Paris for serious study with Dinh Gilly. His debut took place at Covent Garden on 8 June 1926, in the performance of " La bohème " in which Melba made her farewell appearance. That autumn he was engaged by the Paris Opera, the first time a British subject had been made a permanent member of that company; his Paris debut was in Thaïs in 1927.On 17 February 1937, he appeared for the first time at the Metropolitan Opera. The opera was Rigoletto. Besides making important appearances elsewhere, Brownlee remained a regular at Covent Garden, the Paris Opera, and the Met, making his last performance there in March 1957.
Brownlee's greatest successes were in the Mozart repertory, particularly at the Glyndebourne Festival. He was also acclaimed in Salome and Pelléas et Mélisande. After retiring from singing, Brownlee became a stage director, making his debut at the Met on 27 November 1958 during a performance of Die Fledermaus
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