Alice Nielson
Alice Nielson
Pierre Villaret by Carjat
Oscar Arnoldson by Florman
Anders Willman by Florman
Zoe Mole-Truffier & Lucien Fugere By Chalot
Marie Rappold by Aime Dupont
Mole-Truffier Reverse by Chalot
Ilma De Murska By Gurney
Adelaide Phillips by Sarony
William Castle by Mora (2)
Carlotta Patti by Gurney (9)
Sigrid Arnoldson by Reutlinger
Blanch Boidin-Puisais by Luzzatto (Autographed 190…
Therese Malten By Hoffert
Lucienne Breval
Lucienne Breval
Lucienne Breval
Lucienne Breval
Lucienne Breval
Lucienne Breval
Marcella Sembrich
Marcella Sembrich
Guillaume Albert Lubert by Aime Dupont
Josefine Reinl by Sarony
Adelaide Phillips by Sarony
Lilly Hafgren-Waag
Herman Jadlowker & Lilly Hafgren-Waag
Herman Jadlowker
Herman Jadlowker
Herman Jadlowker
Louise Homer by Aime Dupont
Edith Clegg ,Frederick Ranalow and Miriam Licette
Edith Clegg & Miriam Licette
Jean-Louis Lasalle by Pierre Petit
Pierre-Marius Jourdan by Bureau
Louise Theo by Gaston & Mathieu
Anna Maria Strandberg by Gosta Florman
Giovanni Zucchini by Bergamasco
Caroline Salla by Nadar
Gaetano Fraschini by Trinquart
Louise Homer by Aime Dupont
Louise Homer by Aime Dupont
Anna de La Grange by Sarony
Katharina Klafsky by Mora
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Adelina Patti by Mayer & Pierson (17)
ADELINA PATTI
(19 February 1843 – 27 September 1919)
Soprano
Her voice was noticed very early and she nade her first tour in America at the age of seven years and was a huge success. Studied singing in New York under the direction of Maurice Strakosch, her brother-in-law, and in 1859 she sang in New York in Lucia di Lammermoor. At Covent Garden theatre in London in 1861 where she sang la Sonnambula, her reputation was strengthened and in 1862 she was singing in Paris at the Théâtre Italien, where she soon became the star. She remained at Paris until 1870, being heard in London during the summer season. In Paris she sang the Italian Repertory, in London the french Repertory. After a long stay in America and London, Patti returned several times to Paris at the Opera (debut in 1874) and the Théâtre de la Gaîté. Then she resumed travels and successfully created, in London, in 1882, the Charles Lenepveu's Velléda. She also created Dolores of André Pollonais in Nice on February 22, 1897. She triumphed especially in a vast Italian repertoire that suited to her beautiful light soprano voice. His career lasted for fifty-six years
(19 February 1843 – 27 September 1919)
Soprano
Her voice was noticed very early and she nade her first tour in America at the age of seven years and was a huge success. Studied singing in New York under the direction of Maurice Strakosch, her brother-in-law, and in 1859 she sang in New York in Lucia di Lammermoor. At Covent Garden theatre in London in 1861 where she sang la Sonnambula, her reputation was strengthened and in 1862 she was singing in Paris at the Théâtre Italien, where she soon became the star. She remained at Paris until 1870, being heard in London during the summer season. In Paris she sang the Italian Repertory, in London the french Repertory. After a long stay in America and London, Patti returned several times to Paris at the Opera (debut in 1874) and the Théâtre de la Gaîté. Then she resumed travels and successfully created, in London, in 1882, the Charles Lenepveu's Velléda. She also created Dolores of André Pollonais in Nice on February 22, 1897. She triumphed especially in a vast Italian repertoire that suited to her beautiful light soprano voice. His career lasted for fifty-six years
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