Zare Thalberg by london Stereoscopic Co
Enrico Tamberlick by Clarkington
Caroline Van den Heuvel-Duprez by Cremiere
Alfred Galland by Disderi
Jenny Lind by Mathius Hansen
Pauline Lucca by Rockwood
Pauline Lucca by Disderi
Minnie Hauk By Luckhardt (7)
Minnie Hauk By Luckhardt (8)
Pauline Lucca by Luckhardt
Theodor Formes by Unknown
Carlotta Marchisio by unknown (Disderi Image)
Italo Campanini by London Stereoscopic
Carlotta Patti by Warren (5)
Ernest van Dyck by Unknown
Herman Winklemann by Weisz
Annie Louise Cary by Mora (4)
Pasquale Brignoli by Sarony
Sims Reeves by Unknown
Marie Roze by Sarony
Fyodor Stravinsky by Laygue
Marie Miolan-Carvalho by Ecoles de Gouvernement
Carlotta Patti by Reutlinger (6)
Clementine Schuch-Proska by Hanfstaengl
Theatre Italian by Disderi
Rosina Penco by Disderi
Paola Marie by Mora
Marie Roze by Mora
Theodor Wachtel by Sarony
Victor Capoul by Reutlinger
Enrico Tamberlick by Mayer & Pierson
Achille- Felix Montaubry by Numa Fils
Pasquale Brignoli ???? by Disderi
Agostino Susini & Isabella Hinckley by Brady
Eugénie Clémentine Elisa DURIÉ by Unknown
Marie Geistinger By Unknown
Marie Litta by The Rocher Studios
David Bispham by Aime Dupont
Millot by Unknown
Mathilde Phillips by Reichmann & Co
Edward Lloyd by Alexander Bassano
Caroline Lefebvre-Faure by Disderi (REVERSE)
Caroline Lefebvre-Faure by Disderi
Marie Miolan-Carvalho by Reutlinger
Victor Capoul by Mulnier
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Adelina Patti by Reutlinger (8)
ADELINA PATTI
(19 February 1843 – 27 September 1919)
Soprano
Her voice was noticed very early and she nade her first tour in America at the age of seven years and was a huge success. Studied singing in New York under the direction of Maurice Strakosch, her brother-in-law, and in 1859 she sang in New York in Lucia di Lammermoor. At Covent Garden theatre in London in 1861 where she sang la Sonnambula, her reputation was strengthened and in 1862 she was singing in Paris at the Théâtre Italien, where she soon became the star. She remained at Paris until 1870, being heard in London during the summer season. In Paris she sang the Italian Repertory, in London the french Repertory. After a long stay in America and London, Patti returned several times to Paris at the Opera (debut in 1874) and the Théâtre de la Gaîté. Then she resumed travels and successfully created, in London, in 1882, the Charles Lenepveu's Velléda. She also created Dolores of André Pollonais in Nice on February 22, 1897. She triumphed especially in a vast Italian repertoire that suited to her beautiful light soprano voice. His career lasted for fifty-six years.
(19 February 1843 – 27 September 1919)
Soprano
Her voice was noticed very early and she nade her first tour in America at the age of seven years and was a huge success. Studied singing in New York under the direction of Maurice Strakosch, her brother-in-law, and in 1859 she sang in New York in Lucia di Lammermoor. At Covent Garden theatre in London in 1861 where she sang la Sonnambula, her reputation was strengthened and in 1862 she was singing in Paris at the Théâtre Italien, where she soon became the star. She remained at Paris until 1870, being heard in London during the summer season. In Paris she sang the Italian Repertory, in London the french Repertory. After a long stay in America and London, Patti returned several times to Paris at the Opera (debut in 1874) and the Théâtre de la Gaîté. Then she resumed travels and successfully created, in London, in 1882, the Charles Lenepveu's Velléda. She also created Dolores of André Pollonais in Nice on February 22, 1897. She triumphed especially in a vast Italian repertoire that suited to her beautiful light soprano voice. His career lasted for fifty-six years.
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