jean
Philippe Ami Goetz (reverse)
Henriette Alix Goetz née Viguet (1828-1866)
04 LONDRES
RNLI lifeboat 17-32 (MMSI: 235005118) receiving a…
LR-1040666
LR-1040670
LR-1040671
LR-1040672
LR-1040673
LR-1040674
LR-1040675
LR-1040676
LR-1040677
LR-1040678
LR-1040679
LR-1040680
LR-1040681
LR-1040685
LR-1040686
LR-1040690
Portrait of the Tully sisters c. 1910
Ephèse, Basilique Saint-Jean, 1.
Ephèse, Basilique Saint-Jean, 2.
Emotions
Une coccinelle pointe .........
Sur le terrain de FOOT....
Soudainement .....
Le mouvement 1
le mouvement 2
T'as tes lunette 2
T'as tes munettes 1
le mouvement 3
Jean : Bonne fête !!
La profondeur de champ...1
La profondeur de champ...2
vue de la partie arrière du parc
une statue fontaine
Ganseliesel ( la gardienne d'oie)
L'oeil.......
2010-06-19 167
Lémur macaco.
Fenec : un amour de renard du deser .....
Paon...1
Paon ...2
2010-06-19 116
Bébé .......
ce faireune beauté sur une pate !
Flamands rose
2010-06-19 098
2010-06-19 095
les filets ...
autre soucis ...1
Autre soucis 2
curiosité ......
Avant plan 1
See also...
Keywords
Authorizations, license
-
Visible by: Everyone -
All rights reserved
-
560 visits
Jean-Baptiste Faure by Numa Blanc
![Jean-Baptiste Faure by Numa Blanc Jean-Baptiste Faure by Numa Blanc](https://cdn.ipernity.com/144/35/03/34313503.3e1807a4.640.jpg?r2)
![](https://s.ipernity.com/T/L/z.gif)
Jean-Baptiste Faure as Guillaume "Guillaume Tell" Rossini a role he performed in the Premiere
at Palais Garnier,28 February 1875
JEAN-BAPTISTE FAURE (15 January 1830 – 9 November 1914)French operatic baritone
Faure was born in Moulins. A choirboy in his youth, he entered the Paris Conservatory in 1851 and made his operatic debut the following year at the Opéra-Comique, as Pygmalion in Victor Massé's Galathée. He remained at the Opéra-Comique for over seven years, singing baritone roles such as Max in Adolphe Adam's Le chalet and Michel in Thomas's Le caïd. During this time he also created the Marquis d'Erigny in Auber's Manon Lescaut (1856) and Hoël in Meyerbeer's Le pardon de Ploërmel (1859; later known as Dinorah), among seven premieres at that house.
He made his debut at the Royal Opera House, London, in 1860 as Hoël, and at the Paris Opera in 1861. He would sing at the Opera every season until 1869 and then again in 1872-76 and 1878. In addition, he continued to perform off and on in London until 1877 at venues such as Her Majesty's Theatre and the Theatre Royal, Drury Lane.
Among the many operas in which he appeared in Paris were Wolfgang Amadeus Mozart's Don Giovanni as well as L'étoile du nord, Les Huguenots and La favorite.
He also made history by creating several important operatic roles written by such prominent composers as Giacomo Meyerbeer, Giuseppe Verdi and Ambroise Thomas. They included the leading baritone parts in L'Africaine, Don Carlos and Hamlet (in 1865, 1867, and 1868 respectively).
His last stage appearances are recorded as taking place in Marseilles and Vichy in 1886.
at Palais Garnier,28 February 1875
JEAN-BAPTISTE FAURE (15 January 1830 – 9 November 1914)French operatic baritone
Faure was born in Moulins. A choirboy in his youth, he entered the Paris Conservatory in 1851 and made his operatic debut the following year at the Opéra-Comique, as Pygmalion in Victor Massé's Galathée. He remained at the Opéra-Comique for over seven years, singing baritone roles such as Max in Adolphe Adam's Le chalet and Michel in Thomas's Le caïd. During this time he also created the Marquis d'Erigny in Auber's Manon Lescaut (1856) and Hoël in Meyerbeer's Le pardon de Ploërmel (1859; later known as Dinorah), among seven premieres at that house.
He made his debut at the Royal Opera House, London, in 1860 as Hoël, and at the Paris Opera in 1861. He would sing at the Opera every season until 1869 and then again in 1872-76 and 1878. In addition, he continued to perform off and on in London until 1877 at venues such as Her Majesty's Theatre and the Theatre Royal, Drury Lane.
Among the many operas in which he appeared in Paris were Wolfgang Amadeus Mozart's Don Giovanni as well as L'étoile du nord, Les Huguenots and La favorite.
He also made history by creating several important operatic roles written by such prominent composers as Giacomo Meyerbeer, Giuseppe Verdi and Ambroise Thomas. They included the leading baritone parts in L'Africaine, Don Carlos and Hamlet (in 1865, 1867, and 1868 respectively).
His last stage appearances are recorded as taking place in Marseilles and Vichy in 1886.
- Keyboard shortcuts:
Jump to top
RSS feed- Latest comments - Subscribe to the comment feeds of this photo
- ipernity © 2007-2024
- Help & Contact
|
Club news
|
About ipernity
|
History |
ipernity Club & Prices |
Guide of good conduct
Donate | Group guidelines | Privacy policy | Terms of use | Statutes | In memoria -
Facebook
Twitter
Sign-in to write a comment.