The Summer Frocks Await the Sun
Mermeladas B&W Edit
Red and Green
On the Bridge
Mermeladas
Down At Circe's Place
Kitchen Window
Thoughts on Being a Buddleia Bush
Fencing Gone Mad
Buddleia Leaves
Poppy Seeds
On the Footpath
Mulberry Snakes
Post Box with Ivy
A Line of Eight Wheelie Bins
8.23 am 16 June
Two Visitors on a Bridge (Square B&W Edit)
Domke F-6 Sand
The Tenba Bag, The Nikon 50mm f/2 Lens
Red Cantilever Toolbox
Untidy Bookshelf
Trinity
Car Wash
Wet Afternoon in March-Topiary
Wet Afternoon in March-Edging
Wet Afternoon in March-Closed
Wet Afternoon in March-Potting Shed
Wet Afternoon in March-Path (2)
Wet Afternoon in March-View from a Bench
Wet Afternoon in March-Orphaned Brick
Wet Afternoon in March-Visitors on Japanese Bridge
Wet Afternoon in March-Spring Flowers
Wet Afternoon in March-Rivulet
Wet Afternoon in March-Temple
Wet Afternoon in March-Spade
Wet Afternoon in March-Allium in the Dye Pool
Wet Afternoon in March-Wheelbarrow
Wet Afternoon in March-Path (1)
Wet Afternoon in March-Bamboo
Daffodils at Lacock Abbey
Down in the Corner
Peggy Sue
Mayfair
Diary
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In The Beginning
Nikon D2Xs with a 40 + years old Nikkor 50mm f/2 AI lens. Lens made in Japan sometime between March 1977 and January 1979. Sometimes referred to as the "Japanese Summicron". I bought it in February 2019 and subsequently got rid of my Nikkor AI 50mm f/1.8. The earlier version is better. It cost me £49 and it's fabulous. A few months later I bought a Nikkor-H 50mm f/2 dating from 1971 and subsequently modified to AI standard. No coating on this one, and it doesn't focus quite as close yet it is also sublime.
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