Cemetery Chapel
Cemetery Chapel (2)
Argentina - Maimará, cemetery
Welwyn cemetery (1)
Welwyn cemetery (2)
Welwyn cemetery (3)
Austria - Salzburg, Petersfriedhof
Van Dykes
Lewis A. White
Walter Hackett
Cemetery Grass (Boot, Jeans & Leaf Edit)
Cemetery Lodge Front Door
Colonial Era Burial Ground
Fontans - Saint Pierre
La Capelle - Saint Martin
La Capelle - Saint Martin
Sévérac-le-Château - Saint Dalmazy
Salles-la-Source - Saint Austremoine
Vers - Notre-Dame de Velles
Sainte Menehould - Notre-Dame-du-Château
Wiesbaum - St. Martin
Schalkenmehren - Weinfeld
new flats round the cemetery
Cowley Road churchyard
a touch of spring in the cemetery
spring path in the cemetery
Automobile graveyard
Oct 17: iron cross
graveyard
Sa Pobla
Gravesite
Mother
Henderson Chapel Cemetery
Cemetery Trees B&W
Cemetery Tree
south porch of St Mary's
Cemetery Lodge in Autumn
pinhole graveyard
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Prague 2019 – Olšany Cemetery – Grave of Bedrich K…
Prague 2019 – Olšany Cemetery – Grave of Josepha H…
Prague 2019 – Olšany Cemetery – Antonin Bursa
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Prague 2019 – Olšany Cemetery – Grave of August, C…
Prague 2019 – Olšany Cemetery
Prague 2019 – Olšany Cemetery – Blackbird
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Prague 2019 – Olšany Cemetery – Grave of Marie Dos…
Prague 2019 – Olšany Cemetery
Prague 2019 – Olšany Cemetery
Prague 2019 – Olšany Cemetery – Grave of Otakar Šu…
Prague 2019 – Olšany Cemetery
Graveyard flowers
Radimlja Necropolis
Radimlja Necropolis
Radimlja Necropolis
Radimlja Necropolis
Radimlja Necropolis
Radimlja Necropolis
Radimlja Necropolis
Radimlja Necropolis
Radimlja Necropolis
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Monuments
Nikon D2Xs + Tamron AF 70-210mm f/2.8 SP LD lens made sometime between 1992 and 2003. ISO 800; f/4; 1/400th; focal length 70mm (like 105mm on a full frame instrument).
I lugged this heavy zoom lens some distance in the hope of getting some dramatic shots and ended up using the other lens in the bag, a 24mm f/2.8 (like a 35mm on full frame) for most of the photographs which survived the cull afterwards. Something to be learnt I think.
I lugged this heavy zoom lens some distance in the hope of getting some dramatic shots and ended up using the other lens in the bag, a 24mm f/2.8 (like a 35mm on full frame) for most of the photographs which survived the cull afterwards. Something to be learnt I think.
Jean-luc Drouin has particularly liked this photo
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