Locksbrook No.2
The Day Before the Clocks Went Back
An Autumn Kiss
Damp Yellow Leaf
Leaves
Autumn Leaves
Church Street
Rust
Autumn, 2021
Woods Near Bowden Park B&W Edit
Through the Heat Whispered Trees
Bricks and Mortar
Telegraph Pole Code
Washing on the Line in the Alley
Autumn Fruit: The Curate's Quince
A Leaf from a Tree near Magnet Joinery
Conkers, 2019
Various States of Decomposition
Waters' Edge
Walking the Dog
Trees on Bowden Hill
Telecom Graffiti
The Biss in November
Chain-Link Fence
Green Fence (Packed Perspective)
Autumn Leaves
Concorde
No Smoke Without Fire
A Watery Grave
Blue and White
Pondside
Reflection of Trees by the Pond
Leaves Hanging On
The Dying Flower
The Tenba P750 Pro Pak Bag in Beige
Homeward Bound
Sundial (No Sun)
Bark, by Micro-Nikkor
Bookshop
Plantbird
Stark
Raindrops Hanging Underneath an Iron Fence
Lamplight
The Universe
To Every Thing There Is A Season
Submerged (Blue)
Woods Near Bowden Park
Unexpected Woodland Memorial
Lane Near Bowden Park
Bowden Park Gates
Road Through Savernake
Savernake Forest
Oak Leaves Two
We Two Are One
Autumn Leaves No. 2
Just the Beginning
East Woodlands, November, 2010
Fallers
Dust to Dust
Leaves on a Tree in Early Autumn
Two Shaved Heads
Once We Were in Our Prime
Who Shall Remember Us When We Are Gone? Overture
Who Shall Remember Us When We Are Gone? Slight Ret…
Who Shall Remember Us When We Are Gone?
Professional Equipment
Lacock Abbey in December
Strange Fish
Heigh-ho
Autumn, 2016
A Time To Die
Mum
Autumn in Hither Way
See also...
The Magnet Joinery School of Collage and Photography
The Magnet Joinery School of Collage and Photography
Pentacon, Tessar, Carl Zeiss Jena, Helios and Jupiter Photos
Pentacon, Tessar, Carl Zeiss Jena, Helios and Jupiter Photos
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Green Sycamore Leaf Near Magnet Joinery
I used a Canon EOS 30D with a Pentacon 50mm f/1.8 lens mounted via an EOS - M42 adapter. The lens came with a Praktica MTL5 camera and the two cost me £12.50.
The Pentacon f/1.8 50mm is the last version of the Meyer-Optik "Oreston" f/1.8 50mm. It performs better than I had remembered, notwithstanding that using it on the EOS 30D was hopeless for metering the light and I fell back on the "Sunny 16" rule. I was also glad to have Lightroom in which to edit the original RAW image.
The Pentacon f/1.8 50mm is the last version of the Meyer-Optik "Oreston" f/1.8 50mm. It performs better than I had remembered, notwithstanding that using it on the EOS 30D was hopeless for metering the light and I fell back on the "Sunny 16" rule. I was also glad to have Lightroom in which to edit the original RAW image.
Steve Bucknell, John FitzGerald have particularly liked this photo
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