LOVE IS SIMPLE AND RICH OF BEAUTY
A HOUSE WITHOUT LOVE IS NOT A HOME
YOU CAN'T CHANGE WHAT YOU DID
FOR YOU TO DREAM IS JUST TO LOVE...
SHINES THE LIGHT OF LOVE
LIFE SMILES FOR THE BRAVE
TIME DOESN'T COME BEHIND BACK
THE AFFECTION IS FOR THOSE WHO KNOW TO LOVE
A MOMENT OF MAGIC MAKES A HAPPY HEART
THE PERFUME OF LOVE
SMILE HIDES THE HEART'S PAIN
P1032605
ILLUSION IS FOR THOSE WHO KNOW HOW TO LOVE
HEIDI AND THE ANGEL OF LOVE
HEIDI DOLL
MISS UNIVERSE
SÓ ENVELHECEMOS QUANDO DEIXAMOS DE AMAR...
HEIDI DOLL, A CAMPONESA
O AMOR É O CAMINHO PARA O CORAÇÃO
In the Countryside
IN THE HEART THERE IS ALWAYS A SMILE
TRUE LOVE IS DEEP LIKE THE SEA ...
BLONDE GIRL OR BRUNETTE GIRL?
THE PINK PAPER WORLD
BELAAAS
HEIDI - ENCANTO
DREAM WORLD OF HEIDI
HEIDI - DIVERSÃO
FREE TO LIVE THE LOVE
HEIDI - PRINCESA
ANIMALS ALSO NEED LOVE...
DREAMS CAN'T DIE
LOVE COMES FROM THE SOUL ...
Crossing the line (Explored)
Curves, HFF
cushion with added alpaca and sheep locks
felted handbag pizza style
HAIR COLOURS (colores de cabellos)
Mère et fille
Laety
Laetitia
madeleine2
madeleine1
malaurie2
malaurie3
Grace Biligui de l'Or
Yellow Trousers. Red Shoes. Green Coat.
st george's church, beckenham, london
st george's church, beckenham, london
st george's church, beckenham, london
st george's church, beckenham, london
st george's church, beckenham, london
st george's church, beckenham, london
st george's church, beckenham, london
st george's church, beckenham, london
st george's church, beckenham, london
st george's church, beckenham, london
Hair Design/Lovely Rita
James Franck Affolaby 2008
259/365 A pair of shoes 2015
McDougall Church
An Eye on Spring
Fragility
Forever
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Domke F-4 AF Pro
![Domke F-4 AF Pro Domke F-4 AF Pro](https://cdn.ipernity.com/200/22/92/47722292.b750995d.640.jpg?r2)
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Photographed with a Nikon lens on a Canon camera. Not that this is particularly remarkable, although the adapter is a sloppy fit and thus the sharpness comes as a welcome surprise. I think the lens used was a 135mm f/2.8, but I tried several and could be mistaken. I should make notes.
Recalling the all-manual film camera where my interest in photography began, I am resolutely continuing in deploying the manual setting for exposure, and I have discovered that I like many subjects to be under-exposed by some margin. I suppose exposure is like art: nothing is actually right or wrong. Perhaps I am on the threshold of developing a photographic style.
Recalling the all-manual film camera where my interest in photography began, I am resolutely continuing in deploying the manual setting for exposure, and I have discovered that I like many subjects to be under-exposed by some margin. I suppose exposure is like art: nothing is actually right or wrong. Perhaps I am on the threshold of developing a photographic style.
Aschi "Freestone" has particularly liked this photo
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