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The Oudolf Field with a Nikkor-H Auto 85mm f/1.8 o…
Oudolf Daisies
Chairs in the Radić Pavilion
Legacy Lens: Nikkor-H Auto 85mm f/1.8
Sky Over the Radić Pavilion
Inside the Radić Pavilion
Nikkor-H 85mm f/1.8 Lens on a Nikon D50
Nikkor-H 85mm f/1.8 Lens
Sunset, November 17th
Tenba P-750 Pro Pak™ Camera Bag
Nikkor-H Auto 85mm f/1.8 (1971)
The Window Cleaner Came Today
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Wet Afternoon in March-Allium in the Dye Pool
Wet Afternoon in March-Rivulet
Wet Afternoon in March-Spring Flowers
Wet Afternoon in March-Visitors on Japanese Bridge
Wet Afternoon in March-Orphaned Brick
Wet Afternoon in March-Potting Shed
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Wet Afternoon in March-Edging
Wet Afternoon in March-Topiary
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No. 20
Long Brick Wall (2)
85mm
The Missing Chairman
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Pavilion Chairs
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Paperwork One/Death of the F
A New Dress
Diminishing/The Bokeh Fetish
An Old 85mm Lens
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The Kitchen Window
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I bid successfully on eBay for an old Nikkor-H 85mm f/1.8 lens. They made this lens from 1964 until 1975 and then inexplicably replaced it with a lens universally agreed to be its inferior (a bit like the Ford Motor Company when it replaced the Escort in 1990; you can probably think of other good examples of bad marketing).
The construction quality, fit and finish of this lens is exquisite. Nothing like this is made now and even the current lens offerings will mostly be gone before this lens breaks.
If you want to safely use a lens like this on a Nikon digital camera which isn’t ‘entry level’ you need to check it has been modified to AI compatibility, or you could wreck your camera. None of them was ever made to the new standard which Nikon introduced in 1977.
It was a lens like this that David Hemmings used to photograph Veruschka in the studio scenes of the 1966 film ‘Blow-Up’. You can appreciate therefore that owning a lens like this will enhance your style credentials as well as instantly make you a better photographer.
The construction quality, fit and finish of this lens is exquisite. Nothing like this is made now and even the current lens offerings will mostly be gone before this lens breaks.
If you want to safely use a lens like this on a Nikon digital camera which isn’t ‘entry level’ you need to check it has been modified to AI compatibility, or you could wreck your camera. None of them was ever made to the new standard which Nikon introduced in 1977.
It was a lens like this that David Hemmings used to photograph Veruschka in the studio scenes of the 1966 film ‘Blow-Up’. You can appreciate therefore that owning a lens like this will enhance your style credentials as well as instantly make you a better photographer.
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