Seaside Mug
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Cats Play Draughts
The Number Plate That Fell Off, Chapter One
Cathedral
Centaurea Montana in Profile
Give Us This Day Our Allergy Advice
Still Life
Happy New Year
Above Us Only Sky
The Salvage Lorry Cometh
Geese of Steeple Ashton
Steeple Ashton Open Air Petroleum Museum
Beech Trees at Avebury
Castle Combe
Gate to Nowhere
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Exposed
Christmas Candle
Elements
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The Meadow
Steeple Ashton
Florianne Continental Jelly Fruit Slices
August Bank Holiday Bus Services
Vini Pregiati
Stricken Tree
Horse Riding With Flare
An Instant Out Of Time
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Trippers
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The Moustache Men
Coty, 1965
The Fortune-Telling Fish, and Other Entertainments
Ionic Temple
Jesus Et Incarnatus Est
Long Lens/Slow Shutter Speed
All Things Are Photographable
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Lawn Mowing
Packed Perspective
Nikkor-S Auto 35mm f/2.8 Lens
Snowdrops
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Winter Light
For a while the Kiron 70-210mm f/4 zoom lens fulfilled my telephoto needs. It was a 1980s product, a slide zoom, remarkably well built by a company started by ex-Nikon employees. Resolution was good, although I never tried it on full-frame, and as an APS-C camera uses only the middle bit of a full-frame lens like this, I never discovered if the edges were soft. I replaced it with an AF Nikkor 70-210mm f/4, a lens made for less than a couple of years from 1986, and replaced by a slower, cheaper, and poorer resolving optic in 1988.
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