Medieval Virgins
The Virgin holding Infant Jesus came into the focus during the Romanesque time. The beginning of the Gothic statues starts with the "Coronation of Madonna" in Senlis ~ 1170. Most of the Virgins in this Album are medieval, but a few are - younger.
Salamanca - Catedral Vieja
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Salamanca is a "real city" with a population of more than 140.000 inhabitants.
Under Roman and Visigothic rule called “Helmantica,” the city developed into an important trading center. In the 8th century, Salamanca was taken by the Moors, but in 939 it became Christian again as a result of the Battle of Simancas. Salamanca became a border town to the Islamic south of the Iberian Peninsula and was subsequently exposed to constant attacks, which resulted in depopulation and only after the conquest of Toledo by Alfonso VI. León's rule ended in 1085. In 1102 the period of repopulation began. The Christian new settlers rose against Castile-León in 1162 and called on Portugal for help in 1163, which occupied Salamanca for two years.
Salamanca experienced its heyday in the 16th century. In 1524, the construction of the church and monastery of San Esteban began and at the same time, the new cathedral was built.
The old cathedral, together with the adjacent larger new cathedral, is the episcopal church. The construction of the Romanesque-early Gothic basilica began around 1150. The work continued well into the 13th century. The cathedral school was founded in 1174, from which the University of Salamanca emerged in 1218.
The church is a cruciform basilica. The nave is 52 m long and 16.70 m high. All three naves close with semicircular apses. The left transept arm was cut off during the construction of the new cathedral.
The Virgen de la Vega is the patron saint of the city and is dated to the end of the 12th century. The face of the Virgin and the head of the child as well as the hands of both are made of cast, ungilded bronze. The mother's eyes are jet black and the child's face has blue glass eyes.
Ávila - Catedral de Cristo Salvador
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Under the Visigoths, Ávila was one of the most important cities in the kingdom due to its proximity to the capital Toledo. From the 8th to the 11th centuries, Ávila was Moorish. The situation in the contested borderland between the Muslim and Christian worlds prevented prosperity, which only began in the 15th century when the fighting moved further south. The city experienced its heyday in the 16th century. The plague, the expulsion of the Moriscos (baptized Moors), and the emigration of many people to America caused Ávila's gradual decline, from which the city has only slowly recovered since the 19th century. Today the population is around 60,000.
The “Catedral de Ávila” was planned as a cathedral fortress. The choir is fully integrated into the aalls and its apse was one of the towers of the city wall.
The building, a mix of Gothic and Romanesque styles, dates back to the 12th century and is considered one of the first Gothic cathedrals in Spain. The client was probably Alfonso VIII. The first draft comes from Master Girald Fruchel (+ 1192). The cathedral shows French influences and great resemblances to the Abbey Church of St Denis,
Initially created in the choir with a double ambulatory. The nave was only completed in the 14th century. Over time it became clear that the proportions of the central nave and the low side aisles caused structural problems. In the 18th century, support arches were added and the crossing pillars were strengthened.
There is a museum attached to the cathedral.
Virgin, 13th c
Ávila - Catedral de Cristo Salvador
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Under the Visigoths, Ávila was one of the most important cities in the kingdom due to its proximity to the capital Toledo. From the 8th to the 11th centuries, Ávila was Moorish. The situation in the contested borderland between the Muslim and Christian worlds prevented prosperity, which only began in the 15th century when the fighting moved further south. The city experienced its heyday in the 16th century. The plague, the expulsion of the Moriscos (baptized Moors), and the emigration of many people to America caused Ávila's gradual decline, from which the city has only slowly recovered since the 19th century. Today the population is around 60,000.
The “Catedral de Ávila” was planned as a cathedral fortress. The choir is fully integrated into the aalls and its apse was one of the towers of the city wall.
The building, a mix of Gothic and Romanesque styles, dates back to the 12th century and is considered one of the first Gothic cathedrals in Spain. The client was probably Alfonso VIII. The first draft comes from Master Girald Fruchel (+ 1192). The cathedral shows French influences and great resemblances to the Abbey Church of St Denis,
Initially created in the choir with a double ambulatory. The nave was only completed in the 14th century. Over time it became clear that the proportions of the central nave and the low side aisles caused structural problems. In the 18th century, support arches were added and the crossing pillars were strengthened.
There is a museum attached to the cathedral.
Ávila - Catedral de Cristo Salvador
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Under the Visigoths, Ávila was one of the most important cities in the kingdom due to its proximity to the capital Toledo. From the 8th to the 11th centuries, Ávila was Moorish. The situation in the contested borderland between the Muslim and Christian worlds prevented prosperity, which only began in the 15th century when the fighting moved further south. The city experienced its heyday in the 16th century. The plague, the expulsion of the Moriscos (baptized Moors), and the emigration of many people to America caused Ávila's gradual decline, from which the city has only slowly recovered since the 19th century. Today the population is around 60,000.
The “Catedral de Ávila” was planned as a cathedral fortress. The choir is fully integrated into the aalls and its apse was one of the towers of the city wall.
The building, a mix of Gothic and Romanesque styles, dates back to the 12th century and is considered one of the first Gothic cathedrals in Spain. The client was probably Alfonso VIII. The first draft comes from Master Girald Fruchel (+ 1192). The cathedral shows French influences and great resemblances to the Abbey Church of St Denis,
Initially created in the choir with a double ambulatory. The nave was only completed in the 14th century. Over time it became clear that the proportions of the central nave and the low side aisles caused structural problems. In the 18th century, support arches were added and the crossing pillars were strengthened.
There is a museum attached to the cathedral.
Mutilated Virgin, 13th c
Ávila - Catedral de Cristo Salvador
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Under the Visigoths, Ávila was one of the most important cities in the kingdom due to its proximity to the capital Toledo. From the 8th to the 11th centuries, Ávila was Moorish. The situation in the contested borderland between the Muslim and Christian worlds prevented prosperity, which only began in the 15th century when the fighting moved further south. The city experienced its heyday in the 16th century. The plague, the expulsion of the Moriscos (baptized Moors), and the emigration of many people to America caused Ávila's gradual decline, from which the city has only slowly recovered since the 19th century. Today the population is around 60,000.
The “Catedral de Ávila” was planned as a cathedral fortress. The choir is fully integrated into the aalls and its apse was one of the towers of the city wall.
The building, a mix of Gothic and Romanesque styles, dates back to the 12th century and is considered one of the first Gothic cathedrals in Spain. The client was probably Alfonso VIII. The first draft comes from Master Girald Fruchel (+ 1192). The cathedral shows French influences and great resemblances to the Abbey Church of St Denis,
Initially created in the choir with a double ambulatory. The nave was only completed in the 14th century. Over time it became clear that the proportions of the central nave and the low side aisles caused structural problems. In the 18th century, support arches were added and the crossing pillars were strengthened.
There is a museum attached to the cathedral.
Virgin, 13th c
Toledo - Museo de Santa Cruz
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In 192 BC, the Romans conquered the area and founded the outpost Toletum. Due to its iron ore deposits, Toledo developed into an important settlement. Since the first barbarian invasions, the ancient walls were reinforced. In 411 the Alans and later the Visigoths conquered the city. Toledo was the capital of the Visigoths' empire from about 531 to 711.
The Moors conquered the place in 712. Toledo experienced its heyday during the period of Moorish rule as Ṭulayṭula during the Caliphate of Córdoba until its conquest by Alfonso VI in 1085, after a four-year siege. In 1088, only a few years after the conquest, Archbishop Bernard of Toledo obtained confirmation from Pope Urban II that Toledo should hold the "primatus in totis Hispaniarum regnis" (primacy in all the kingdoms of the Iberian dominions). The Archbishop of Toledo is still today the Primate of the Catholic Church of Spain.
In the 12th and 13th centuries, the Toledo school of translators translated ancient philosophical writings (Plato, Aristotle) that had been translated from Greek into Arabic, but also genuinely Arabic writings from the fields of astronomy, mathematics, Islamic religion and theology into Latin.
After the conquest by Alfonso VI, Toledo became the residence of the Kingdom of Castile in 1087 and remained the capital of Spain until 1561.
The Museo de Santa Cruz is housed in an architecturally significant 16th-century building, the Hospital de Santa Cruz. The hospital was founded in order to centralize assistance to orphaned and abandoned children in the city.
The museum was created in 1844. In 1919, the Provincial Museum of Archaeology was moved to this location. A Fine Arts section was created in 1961, and the museum was then renamed as Museo de Santa Cruz.
La Virgen de la Expectación
Attributed to Diego de Siloe and Juan de Balsameda / ca. 1530
Sigüenza - Catedral de Santa María
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Pliny the Elder mentions Segontia in the 1st century AD in his work "Naturalis Historia" as a Celtiberian settlement. The area was taken by the Romans in the Numantine War (154-133 BC). After the end of the Western Roman Empire, the city was conquered by the Visigoths, who also founded the diocese of Sigüenza in 589. Taken over by the Moors around 712, the Christians reconquered the city in 1123. The construction of the cathedral began only a short time later, but it would take several centuries to complete. Today Sigüenza is a town with a population of about 4500.
The Visigoths built a small castle in the 5th century above the town. The Moors built a large fortified castle in the early 8th century. It was enclosed by a defensive wall providing an area known as the medina. In 1124, the castle was retaken by Bernard of Agen allowing Simón Girón de Cisneros to build an episcopal palace there. In the 15th century, the castle was strengthened by the bishops to protect it from attacks from Aragon and Navarre.
Construction of the cathedral began in 1124 after the expulsion of the Moors and the appointment of Bernardo of Agen as bishop. It was built on foundations previously occupied by a Visigothic church and then a Moorish mosque. The construction of the church lasted until the 15th century and in the 16th century it received Gothic elements - especially in the interior - and additions in the Renaissance style.
The western facade is characterized by the robust towers in the medieval style of a church fortress. The portals on the south and west sides are preserved in the Romanesque style but with later Baroque and Classical additions. The cathedral, is composed of a Latin cross plant, with three naves, transept and a large apse, surrounded by the ambulatory. It is 80 meters long by 31 meters in width. The Gothic central nave is from the 14th century. The three naves are separated, by enormous pillars.
It is claimed, that "Nuestra Señora de Mayor" is venerated in this church from the 12th century on.
Sigüenza - Museo Diocesano de Arte Antiguo
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Pliny the Elder mentions Segontia in the 1st century AD in his work "Naturalis Historia" as a Celtiberian settlement. The area was taken by the Romans in the Numantine War (154-133 BC). After the end of the Western Roman Empire, the city was conquered by the Visigoths, who also founded the diocese of Sigüenza in 589. Taken over by the Moors around 712, the Christians reconquered the city in 1123. The construction of the cathedral began only a short time later, but it would take several centuries to complete. Today Sigüenza is a town with a population of about 4500.
The Visigoths built a small castle in the 5th century above the town. The Moors built a large fortified castle in the early 8th century. It was enclosed by a defensive wall providing an area known as the medina. In 1124, the castle was retaken by Bernard of Agen allowing Simón Girón de Cisneros to build an episcopal palace there. In the 15th century, the castle was strengthened by the bishops to protect it from attacks from Aragon and Navarre.
Virgen de la Conception / 15th c. /
I have seen a couple of "Virgen de la Conception". It seems to be a Spanish icon, as I do not remember such virgins further north.
Sigüenza - Museo Diocesano de Arte Antiguo
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Pliny the Elder mentions Segontia in the 1st century AD in his work "Naturalis Historia" as a Celtiberian settlement. The area was taken by the Romans in the Numantine War (154-133 BC). After the end of the Western Roman Empire, the city was conquered by the Visigoths, who also founded the diocese of Sigüenza in 589. Taken over by the Moors around 712, the Christians reconquered the city in 1123. The construction of the cathedral began only a short time later, but it would take several centuries to complete. Today Sigüenza is a town with a population of about 4500.
The Visigoths built a small castle in the 5th century above the town. The Moors built a large fortified castle in the early 8th century. It was enclosed by a defensive wall providing an area known as the medina. In 1124, the castle was retaken by Bernard of Agen allowing Simón Girón de Cisneros to build an episcopal palace there. In the 15th century, the castle was strengthened by the bishops to protect it from attacks from Aragon and Navarre.
Virgen con Nino / 13th c. /
Sigüenza - Museo Diocesano de Arte Antiguo
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Pliny the Elder mentions Segontia in the 1st century AD in his work "Naturalis Historia" as a Celtiberian settlement. The area was taken by the Romans in the Numantine War (154-133 BC). After the end of the Western Roman Empire, the city was conquered by the Visigoths, who also founded the diocese of Sigüenza in 589. Taken over by the Moors around 712, the Christians reconquered the city in 1123. The construction of the cathedral began only a short time later, but it would take several centuries to complete. Today Sigüenza is a town with a population of about 4500.
The Visigoths built a small castle in the 5th century above the town. The Moors built a large fortified castle in the early 8th century. It was enclosed by a defensive wall providing an area known as the medina. In 1124, the castle was retaken by Bernard of Agen allowing Simón Girón de Cisneros to build an episcopal palace there. In the 15th century, the castle was strengthened by the bishops to protect it from attacks from Aragon and Navarre.
Virgen con Nino / 14th c. /
Teruel - Museo de Arte Sacro de Teruel
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The place, once inhabited by Celtiberians, was taken by the Romans. In the 8th century, the Arab-Moorish armies advanced into the area and gave it the name Tirwal. In 1171, the Aragonese king Alfonso II conquered Tirwal with the intention of strengthening his kingdom's southern border after the Almohads captured the city of Valencia. He “founded” Teruel what empowered him to facilitate the repopulation of the region.
After the inhabitants took part in the conquest of Valencia, Teruel was granted the title of city in 1347 by Pedro IV of Aragon. In the Middle Ages, the Jewish and Mudejar communities gained significant importance in the city's social and economic life.
During the Spanish Civil War, the city changed hands several times and was virtually destroyed. The German Junkers Ju-87 dive bombers were used for the first time in the Battle of Teruel. After the final conquest by Franco's troops, the infamous Condor Legion also briefly used the airfield. It is estimated, that the two sides suffered up to 140,000 casualties between them in the three-month battle.
Today Teruel is a thriving town with a population of about 36.000.
The Museum of Sacred Art is located in the former Bishop's Palace, whose construction began at the end of the 16th century. Inside, it is arranged around a central courtyard.
Virgen de Torrelacárcel / 13th c. /
Teruel - Museo de Arte Sacro de Teruel
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The place, once inhabited by Celtiberians, was taken by the Romans. In the 8th century, the Arab-Moorish armies advanced into the area and gave it the name Tirwal. In 1171, the Aragonese king Alfonso II conquered Tirwal with the intention of strengthening his kingdom's southern border after the Almohads captured the city of Valencia. He “founded” Teruel what empowered him to facilitate the repopulation of the region.
After the inhabitants took part in the conquest of Valencia, Teruel was granted the title of city in 1347 by Pedro IV of Aragon. In the Middle Ages, the Jewish and Mudejar communities gained significant importance in the city's social and economic life.
During the Spanish Civil War, the city changed hands several times and was virtually destroyed. The German Junkers Ju-87 dive bombers were used for the first time in the Battle of Teruel. After the final conquest by Franco's troops, the infamous Condor Legion also briefly used the airfield. It is estimated, that the two sides suffered up to 140,000 casualties between them in the three-month battle.
Today Teruel is a thriving town with a population of about 36.000.
The Museum of Sacred Art is located in the former Bishop's Palace, whose construction began at the end of the 16th century. Inside, it is arranged around a central courtyard.
Virgen de los Morales / 13th c. /
Teruel - Museo de Arte Sacro de Teruel
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The place, once inhabited by Celtiberians, was taken by the Romans. In the 8th century, the Arab-Moorish armies advanced into the area and gave it the name Tirwal. In 1171, the Aragonese king Alfonso II conquered Tirwal with the intention of strengthening his kingdom's southern border after the Almohads captured the city of Valencia. He “founded” Teruel what empowered him to facilitate the repopulation of the region.
After the inhabitants took part in the conquest of Valencia, Teruel was granted the title of city in 1347 by Pedro IV of Aragon. In the Middle Ages, the Jewish and Mudejar communities gained significant importance in the city's social and economic life.
During the Spanish Civil War, the city changed hands several times and was virtually destroyed. The German Junkers Ju-87 dive bombers were used for the first time in the Battle of Teruel. After the final conquest by Franco's troops, the infamous Condor Legion also briefly used the airfield. It is estimated, that the two sides suffered up to 140,000 casualties between them in the three-month battle.
Today Teruel is a thriving town with a population of about 36.000.
The Museum of Sacred Art is located in the former Bishop's Palace, whose construction began at the end of the 16th century. Inside, it is arranged around a central courtyard.
Virgen de Torremocha / 14th c. /
Teruel - Museo de Arte Sacro de Teruel
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The place, once inhabited by Celtiberians, was taken by the Romans. In the 8th century, the Arab-Moorish armies advanced into the area and gave it the name Tirwal. In 1171, the Aragonese king Alfonso II conquered Tirwal with the intention of strengthening his kingdom's southern border after the Almohads captured the city of Valencia. He “founded” Teruel what empowered him to facilitate the repopulation of the region.
After the inhabitants took part in the conquest of Valencia, Teruel was granted the title of city in 1347 by Pedro IV of Aragon. In the Middle Ages, the Jewish and Mudejar communities gained significant importance in the city's social and economic life.
During the Spanish Civil War, the city changed hands several times and was virtually destroyed. The German Junkers Ju-87 dive bombers were used for the first time in the Battle of Teruel. After the final conquest by Franco's troops, the infamous Condor Legion also briefly used the airfield. It is estimated, that the two sides suffered up to 140,000 casualties between them in the three-month battle.
Today Teruel is a thriving town with a population of about 36.000.
The Museum of Sacred Art is located in the former Bishop's Palace, whose construction began at the end of the 16th century. Inside, it is arranged around a central courtyard.
Virgen de Lechago / 13th c. /
Jaén - Museo Íbero
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A town may have existed here since ancient times, it was seized by Scipio Africanus away from Carthage by 207 BC, in the context of the Second Punic War.
Following the Umayyad conquest of the Iberian Peninsula, the city became the head of an important territory with some similarities to the current province. Jaén was conquered by the Almoravids in 1091.
Taken in 1159 by Ibn Mardanīš (aka "Rey Lobo"), who was opposed to the spread of the Almohad Empire, it fell back to the Almohads in 1169. In 1225, Fernando III of Castile unsuccessfully laid siege to Jaén. The city was besieged again in 1230 by Fernand who lifted the siege after the news of the death of his father, Alfonso IX of León.
In 1246 Muhammad I of Granada surrendered to Fernando. Following the conquest the Diocese of Baeza was moved to Jaén.
During the Spanish Civil War, the city remained loyal to the Second Spanish Republic and was therefore bombed by the infamous German Condor Legion flying squadron on April 1, 1937. Current estimates suggest that 159 residents were killed and several hundred injured in the bombing.
The “Museo Íbero” is located here in a new building that only opened in 2017 and houses an outstanding collection of Iberian art.
Virgen con Nino / Madonna with Child / 15th c.
Zafra - Museo Santa Clara
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In ancient times, Zafra was located on the Via de la Plata, a road fortified by the Romans between Hispalis (Seville) and Asturica Augusta (Astorga). There are ruins of several Roman estates in the area. In the early 8th century the region was taken by the Moors, whose rule under the Umayyads, Almoravids, and Almohads lasted until the 13th century.
During the Reconquista, Zafra was captured twice, first in 1229 by Alfonso IX, and then in 1241 definitively by Ferdinand III. The area was then repopulated ("repoblación") by settlers from the north of the peninsula. In 1394, Henry III handed over the towns of Feria and Zafra to Gómez Suárez de Figueroa, the Grand Master of the Order of Santiago.
The Convento de Santa Clara was founded in 1431. Today nuns still live here and offer excellent pastries in a small shop. In addition, they run the Museo Santa Clara
Virgo de la Aurora / Our Lady of Dawn / early 15th c.
Santiago de Compostela - Museo da Catedral
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According to legend, the mortal remains of the apostle St James were taken to Galicia for burial, where they were lost. Eight hundred years later, a light led a shepherd, Pelagius the Hermit, who was guarding his flock at night, to the burial site. The shepherd reported his discovery to the bishop of Iria. The bishop declared that the remains were those of St James the Apostle and immediately informed King Alfonso II in Oviedo. In honour of Saint James, the cathedral was built on the spot where his remains were said to have been found. The legend, which includes numerous miraculous events, enabled the Catholic faithful to strengthen their stronghold in northern Spain during the Reconquista against the Moors, but also led to the growth and development of the city.
This is the end if the Camino de Santiago. I arrived the first time in Santiago in 2010 and, like everyone who makes the journey on foot, was overwhelmed. Much has changed since then. Most of all, the deployment of a very unfriendly security force that leaves neither tourists nor pilgrims in peace - in a place where everyone should find peace.
The Museo da Catedral has an extraordinary collection
Virgin with child, 13th century
Salisbury - Cathedral
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The Iron Age castle rampart of "Old Sarum" was built in the 4th century BC. This was later used as a fortress by the Romans, the Anglo-Saxons and finally, from the 11th century, by the Normans.
At the time of the Saxon invasions, Old Sarum fell to King Cynric of Wessex. The Saxons favoured settlements in the lowlands and largely ignored Old Sarum until the Viking invasions prompted King Alfred of Wessex to rebuild the fortifications. However Old Sarum was abandoned by its inhabitants and was sacked and burnt down by the Danish-Norwegian king Sweyn Forkbeard in 1003. After the Norman invasion a castle was built by 1070, which was directly under the control of the Norman kings.
In 1075, the Council of London installed the first Bishop of Salisbury, named Herman. He and his successor, Saint Osmund, began the construction of the first Salisbury cathedral, that was completed in 1092.[
In 1220, Bishop Richard Poore of Sarum began building a new cathedral about three kilometres away in the valley south of the fortress of Old Sarum. This was the nucleus of today's city of Salisbury, initially under the name New Sarum. Just seven years later, Salisbury was granted city rights. The cathedral was consecrated in 1258 after only 38 years of construction.
Due to the short construction period of the cathedral, its architectural style largely corresponds to the early English Gothic style. The free building site and the generous financial support of Henry III were decisive for the rapid completion. The crossing tower, which was added in the early 14th century, has been the tallest church tower in Great Britain at 123 metres since 1561, after the collapse of the crossing tower of the old St Paul's Cathedral.
The only major sections begun later were the cloisters, added in 1240, the chapter house in 1263, the tower and spire, which at 123 m dominated the skyline from 1330. In total, 70,000 tons of stone, 3,000 tons of timber and 450 tons of lead were used in the construction of the cathedral.
In the 17th century, Christopher Wren designed restoration measures to strengthen the central pillars, which by then had visibly deformed under the weight of the tower and spire. Significant changes to the cathedral were made by the architect James Wyatt in 1790, including the replacement of the original rood screen and demolition of a bell tower which stood northwest of the main building.
The floor plan of Salisbury Cathedral shows a three-aisled basilica with two transepts.
Early Gothic Madonna
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