Igreja de Santo André de Telões
Igreja de Santo André de Telões
Igreja de Santo André de Telões
Porto - Mercado do Bolhão
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Mosteiro de Leça do Balio
Mosteiro de Leça do Balio
Mosteiro de Leça do Balio
Mosteiro de Leça do Balio
Mosteiro de Leça do Balio
Mosteiro de Leça do Balio
Mosteiro de Leça do Balio
Mosteiro de Leça do Balio
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Travanca - São Salvador
Travanca - São Salvador
Travanca - São Salvador
Travanca - São Salvador
Real - Igreja do Salvador de Real
Mancelos - Igreja de São Martinho
Mancelos - Igreja de São Martinho
Amarante - Museu Municipal Amadeo de Souza-Cardoso
Amarante - Museu Municipal Amadeo de Souza-Cardoso
Amarante - Museu Municipal Amadeo de Souza-Cardoso
Amarante - Museu Municipal Amadeo de Souza-Cardoso
Amarante - Museu Municipal Amadeo de Souza-Cardoso
Amarante - Museu Municipal Amadeo de Souza-Cardoso
Amarante - Museu Municipal Amadeo de Souza-Cardoso
Amarante - Museu Municipal Amadeo de Souza-Cardoso
Amarante - Igreja e Convento de São Gonçalo
Amarante - Igreja e Convento de São Gonçalo
Amarante - Ponte de São Gonçalo
Bragança - Sé Velha de Bragança
Bragança - Sé Velha de Bragança
Bragança - Sé Velha de Bragança
Bragança - Sé Velha de Bragança
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Igreja de São Mamede de Vila Verde
The oldest document concerning the Church of São Mamede de Vila Verde dates from 1220, when it was already part of the patronage of the Monastery of Santa Maria de Pombeiro.
The rebuilding of this church, probably carried out in the 14th century, is attributed to the siblings Martim and Ana Anes, whose tombs are outside.
The church was built using the construction techniques, floor plan typical of Romanesque architecture. The arrangement of the portals and the use of plain corbels, however, associate this monument with a time when the Gothic style was already dominant.
The rebuilding of this church, probably carried out in the 14th century, is attributed to the siblings Martim and Ana Anes, whose tombs are outside.
The church was built using the construction techniques, floor plan typical of Romanesque architecture. The arrangement of the portals and the use of plain corbels, however, associate this monument with a time when the Gothic style was already dominant.
Don Sutherland, Paolo Tanino, Philippe Collard, Alexander Prolygin have particularly liked this photo
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