Paris 2024 – Invalides – Musée de l’Armée – Armour…
Paris 2024 – Invalides – Musée de l’Armée – Armour…
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Paris 2024 – Invalides – Musée de l’Armée – Armour
Paris 2024 – Invalides – Musée de l’Armée – Armour
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Paris 2024 – Invalides – Musée de l’Armée – Armour
Paris 2024 – Invalides – Musée de l’Armée – Amour…
Horse Armor from Dura-Europos in the Yale Universi…
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Dresden 2019 – Rüstkammer – Jousting
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Dresden 2019 – Rüstkammer – Knight on a horse
Breastplate in the Shape of a Shirt in the Metropo…
Breastplate in the Shape of a Shirt in the Metropo…
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Detail of a Roman Shield from Dura-Europos in the…
Detail of a Roman Shield from Dura-Europos in the…
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Headstone with armor, Kensal Green Cemetery
South Italian Helmet in the Getty Villa, June 2016
South Italian Helmet in the Getty Villa, June 2016
Greaves in the Getty Villa, June 2016
Greaves in the Getty Villa, June 2016
Gold Helmet in the Metropolitan Museum of Art, May…
Gold Helmet in the Metropolitan Museum of Art, May…
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What the well dressed knight wears (Explored)
Etruscan Bronze Helmets in the Getty Villa, June 2…
Etruscan Bronze Helmets in the Getty Villa, June 2…
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Ávila - Catedral de Cristo Salvador
Under the Visigoths, Ávila was one of the most important cities in the kingdom due to its proximity to the capital Toledo. From the 8th to the 11th centuries, Ávila was Moorish. The situation in the contested borderland between the Muslim and Christian worlds prevented prosperity, which only began in the 15th century when the fighting moved further south. The city experienced its heyday in the 16th century. The plague, the expulsion of the Moriscos (baptized Moors), and the emigration of many people to America caused Ávila's gradual decline, from which the city has only slowly recovered since the 19th century. Today the population is around 60,000.
The “Catedral de Ávila” was planned as a cathedral fortress. The choir is fully integrated into the aalls and its apse was one of the towers of the city wall.
The building, a mix of Gothic and Romanesque styles, dates back to the 12th century and is considered one of the first Gothic cathedrals in Spain. The client was probably Alfonso VIII. The first draft comes from Master Girald Fruchel (+ 1192). The cathedral shows French influences and great resemblances to the Abbey Church of St Denis,
Initially created in the choir with a double ambulatory. The nave was only completed in the 14th century. Over time it became clear that the proportions of the central nave and the low side aisles caused structural problems. In the 18th century, support arches were added and the crossing pillars were strengthened.
The western part towards the apses has some interesting Romanesque capitals.
These two knights appear to be putting on or off their heavy armor.
The “Catedral de Ávila” was planned as a cathedral fortress. The choir is fully integrated into the aalls and its apse was one of the towers of the city wall.
The building, a mix of Gothic and Romanesque styles, dates back to the 12th century and is considered one of the first Gothic cathedrals in Spain. The client was probably Alfonso VIII. The first draft comes from Master Girald Fruchel (+ 1192). The cathedral shows French influences and great resemblances to the Abbey Church of St Denis,
Initially created in the choir with a double ambulatory. The nave was only completed in the 14th century. Over time it became clear that the proportions of the central nave and the low side aisles caused structural problems. In the 18th century, support arches were added and the crossing pillars were strengthened.
The western part towards the apses has some interesting Romanesque capitals.
These two knights appear to be putting on or off their heavy armor.
Fred Fouarge has particularly liked this photo
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