Florence - Battistero di San Giovanni
Florence - Battistero di San Giovanni
Florence - Battistero di San Giovanni
Florence - Battistero di San Giovanni
Florence - Battistero di San Giovanni
Florence - Battistero di San Giovanni
Florence - Battistero di San Giovanni
Florence - Santa Croce
Florence - Santa Croce
Florence - Santa Croce
Florence - Santa Croce
Florence - Santa Croce
Florence - Santa Croce
Florence - Santa Croce (PiP)
Florence - Santa Croce
Florence - Santa Croce
Florence - Santa Croce
Signa - San Lorenzo
Pistoia - Palazzo di Giano
Pistoia - Battistero di San Giovanni in Corte
La Spezia - Cattedrale di Cristo Re
La Spezia
Riomaggiore
Florence - Battistero di San Giovanni
Florence - Battistero di San Giovanni
Florence - Battistero di San Giovanni
Florence - Battistero di San Giovanni
Florence - Battistero di San Giovanni
Florence - Battistero di San Giovanni
Florence - San Lorenzo
Florence - Mercato Centrale
Florence - Mercato Centrale
Florence - Cattedrale di Santa Maria del Fiore
Florence - Cattedrale di Santa Maria del Fiore
Florence - Cattedrale di Santa Maria del Fiore
Florence - Cattedrale di Santa Maria del Fiore
Florence - Express Wash
Florence - David
Florence - Palazzo Vecchio
Florence - Piazza della Signoria
Florence - Sanitari Pinucci
Florence - Ponte Vecchio
Monteriggioni
Siena
Siena - Palazzo Pubblico
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Florence - Battistero di San Giovanni
Florentina was established in Roman times as a settlement for veteran soldiers. The name had changed already when young Charlemagne conquered the town in 774. It became part of the Duchy of Tuscany, with Lucca as the capital. Around 1000 Margrave Hugo chose Florence as residency instead of Lucca. After the death of Matilda of Tuscany (1115), the Florentines formed a republic ruled by a council. The town prospered, despite a constant fight between the different factions and noble families.
In the 15th century, Florence was among the largest and wealthiest cities in Europe. This was when the Medici family entered the political scene. As a dynasty of art-loving, power-hungry bankers, they made Florence the birthplace of the Renaissance.
The Baptistery of San Giovanni is the baptistery of Florence Cathedral. The time of origin is disputed, the church was consecrated in the 11th century. The church stands on the foundations of a Roman building. The first reliable source dates from 897, when an ecclesia (church) dedicated to John the Baptist and facing the bishop's palace is mentioned.
Today's building dates from the 11th century at the earliest. The octagon had been a common shape for baptisteries for many centuries since early Christian times. The construction was finished in 1128. An octagonal lantern was added to the roof around 1150. It was enlarged with a rectangular entrance porch in 1202, leading into the original western entrance of the building, that in the 15th century became an apse, after the opening of the eastern door facing the western door of the cathedral by Lorenzo Ghiberti.
Between the fourteenth and sixteenth centuries, three bronze double doors were added, with bronze and marble statues above them.
The northern doors (aka Porte del Paradiso) are a work of Lorenzo Ghiberti, who won in 1401 (at the age of 21) a competition for this commission together with Brunelleschi, who however left and let Ghiberti work on the doors himself
It took Ghiberti 21 years to complete these doors. These gilded bronze doors consist of twenty-eight panels. Ghiberti was now widely recognized as a top artist in this field. He was showered with commissions. In 1424 he received a commission for the east doors of the baptistery, on which he and his workshop toiled for 27 years. Ghiberti employed the recently discovered principles of perspective to give depth to his compositions.
Genesis 9:20-23
"Noah, a man of the soil, proceeded to plant a vineyard. When he drank some of its wine, he became drunk and lay uncovered inside his tent. Ham, the father of Canaan, saw his father naked and told his two brothers outside. But Shem and Japheth took a garment and laid it across their shoulders; then they walked in backward and covered their father’s naked body. Their faces were turned the other way so that they would not see their father naked."
Most interesting for me are the animals, that had been on the ark. To the left is an elephant.
In the 15th century, Florence was among the largest and wealthiest cities in Europe. This was when the Medici family entered the political scene. As a dynasty of art-loving, power-hungry bankers, they made Florence the birthplace of the Renaissance.
The Baptistery of San Giovanni is the baptistery of Florence Cathedral. The time of origin is disputed, the church was consecrated in the 11th century. The church stands on the foundations of a Roman building. The first reliable source dates from 897, when an ecclesia (church) dedicated to John the Baptist and facing the bishop's palace is mentioned.
Today's building dates from the 11th century at the earliest. The octagon had been a common shape for baptisteries for many centuries since early Christian times. The construction was finished in 1128. An octagonal lantern was added to the roof around 1150. It was enlarged with a rectangular entrance porch in 1202, leading into the original western entrance of the building, that in the 15th century became an apse, after the opening of the eastern door facing the western door of the cathedral by Lorenzo Ghiberti.
Between the fourteenth and sixteenth centuries, three bronze double doors were added, with bronze and marble statues above them.
The northern doors (aka Porte del Paradiso) are a work of Lorenzo Ghiberti, who won in 1401 (at the age of 21) a competition for this commission together with Brunelleschi, who however left and let Ghiberti work on the doors himself
It took Ghiberti 21 years to complete these doors. These gilded bronze doors consist of twenty-eight panels. Ghiberti was now widely recognized as a top artist in this field. He was showered with commissions. In 1424 he received a commission for the east doors of the baptistery, on which he and his workshop toiled for 27 years. Ghiberti employed the recently discovered principles of perspective to give depth to his compositions.
Genesis 9:20-23
"Noah, a man of the soil, proceeded to plant a vineyard. When he drank some of its wine, he became drunk and lay uncovered inside his tent. Ham, the father of Canaan, saw his father naked and told his two brothers outside. But Shem and Japheth took a garment and laid it across their shoulders; then they walked in backward and covered their father’s naked body. Their faces were turned the other way so that they would not see their father naked."
Most interesting for me are the animals, that had been on the ark. To the left is an elephant.
kiiti, Alexander Prolygin have particularly liked this photo
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