Sauveterre-de-Guyenne - Saint-Christophe du Puch
Sauveterre-de-Guyenne - Saint-Christophe du Puch
Sauveterre-de-Guyenne - Saint-Christophe du Puch
Sauveterre-de-Guyenne - Saint-Christophe du Puch
Blasimon - Abbaye Saint-Nicolas
Blasimon - Abbaye Saint-Nicolas
Blasimon - Abbaye Saint-Nicolas
Saint-Émilion
Izon - Saint Martin
Izon - Saint Martin
Izon - Saint Martin
Saint-André-de-Cubzac - Saint-André-du-Nom-de-Dieu
Saint-André-de-Cubzac - Saint-André-du-Nom-de-Dieu
Saint-André-de-Cubzac - Saint-André-du-Nom-de-Dieu
Tauriac - Saint-Etienne
Tauriac - Saint-Etienne
Tauriac - Saint-Etienne
Tauriac - Saint-Etienne
Tauriac - Saint-Etienne
Jonzac - Château
Jonzac - Saint-Gervais-Saint-Protais
Blaye - Gironde
Blaye - Boulangerie
Castelviel - L'église Notre-Dame
Castelviel - L'église Notre-Dame
Castelviel - L'église Notre-Dame
Castelviel - L'église Notre-Dame
Saint-Gein - Saint-Pierre
Diusse - Saint-Jean-Baptiste
Diusse - Saint-Jean-Baptiste
Diusse - Saint-Jean-Baptiste
Morlaàs - Sainte-Foy
Morlaàs - Sainte-Foy
Morlaàs - Sainte-Foy
Morlaàs - Sainte-Foy
Morlaàs - Sainte-Foy
Morlaàs - Sainte-Foy
Morlaàs - Sainte-Foy
Morlaàs - Sainte-Foy
Morlaàs - Sainte-Foy
Morlaàs - Sainte-Foy
Morlaàs - Sainte-Foy
Morlaàs - Sainte-Foy
Morlaàs - Sainte-Foy
Morlaàs - Sainte-Foy
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Castelviel - L'église Notre-Dame
This church, in the center of an old graveyard, dates back to the 12th century. The apse is dated ca. 1130. The portal, seen here was created 1150/1160. The church got modified a couple of times over the century - and restored within the 19th century.
Léo Drouyn, regional artist, collegue of Viollet-le-Duc and rediscoverer of the Romanesque art, described these arches as the "most beautiful pieces of Romanesque sculpture within the department". Two structures have surely influenced the masters, working in Castelviel. These are the former abbeys "Saint-Maurice de Blasimon" and "La Sauve-Majeure", both not far away.
This portal is carved in a typical style, found in the Gironde, the Saintonge, the Charente and the Poitou, carved from a soft, white (unfortunately weathering) stone. There is no tympanum, but many archivolts and capitals.
Here is a trio. The left musician holds a vielle, the right one plays a harp or a psaltery. The female person (note the sleeves) is probably a dancer, doing a Mick-Jagger-pose.
Léo Drouyn, regional artist, collegue of Viollet-le-Duc and rediscoverer of the Romanesque art, described these arches as the "most beautiful pieces of Romanesque sculpture within the department". Two structures have surely influenced the masters, working in Castelviel. These are the former abbeys "Saint-Maurice de Blasimon" and "La Sauve-Majeure", both not far away.
This portal is carved in a typical style, found in the Gironde, the Saintonge, the Charente and the Poitou, carved from a soft, white (unfortunately weathering) stone. There is no tympanum, but many archivolts and capitals.
Here is a trio. The left musician holds a vielle, the right one plays a harp or a psaltery. The female person (note the sleeves) is probably a dancer, doing a Mick-Jagger-pose.
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