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Figure 8
A bespectacled Hugh of St Cher at his writing desk in Tomasso da Moderna’s mid-fourteenth-century fresco for the Chapter House at the convent of San Nicolo
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In fact this final detail is mistake, an anachronism. Hugh died a couple of decades too early to have benefitted from this invention: two magnifying glasses bound together by a rivet in their handles. But it tells us what Tomasso wants us to know about Hugh: that reading and writing are essential to how we should think of him. . . . . Page 53/54
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