Amalie Materna and Franz Eppich by Luckhardt
Bertha Ehnn and Charles Adams by Luckhardt (1)
Bertha Ehnn and Charles Adams by Luckhardt (2)
Franz Eppich by Gertinger
Bertha Ehnn by Luckhardt
Bertha Ehnn by Mahlknecht (1)
Therese Tietjens by Elliott & Fry (1)
Désirée Artôt by Poulton
Louise Liebhardt by Negretti & Zambra
Short note with autograph Marie Caroline Miolan-Ca…
Short note with autograph Marie Caroline Miolan-Ca…
Marie Caroline Miolan-Carvalho by Maze
Célestine Galli-Marié by Carjat (1)
Célestine Galli-Marié by Saint-Edme
Célestine Galli-Marié by Reutlinger
Pauline Lauters-Gueymard by Reutlinger
Emilia La Grua by Disdéri (2)
Emilia La Grua by Disdéri (3)
Marc Bonnehée by Disdéri
Leone Giraldoni by Laurent
Antonio Cotogni by Laurent
Short note with autograph Marc Bonnehée
Marie Desclauzas by Numa Fils (2)
Gustave Roger by Luckhardt
Ilma de Murska by Luckhardt
Nicolas Levasseur by Numa Blanc
Enrico Tamberlick by Legé & Bergeron
Italo Gardoni by Disdéri (2)
Adèle Isaac by Petit
Joséphine Daram by Petit (1)
Lina Bell by Nadar
Giuseppe Kaschmann by Falk
Jean-Alexandre Talazac by Lopez
Léon Melchissédec by Nadar
Auguste Boudouresque by Petit (1)
Jules Diaz de Soria by Fratelli Vianelli with auto…
Leone Giraldoni by Benque
Désirée Artôt by Feilner
Désirée Artôt and Mariano Padilla y Ramos by Eiche…
Désirée Artôt by Bieber
Francesco Tamagno by Muggia
Ferdinand Mirapelli by Cabibel
Ferdinand Mirapelli's autograph at the back
Christine Nilsson by Le Jeune
Joséphine de Reszke by Mulnier
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Gustav Walter by Luckhardt
Gustav Walter (1834-1910); Bohemian tenor.
In 1855 he made his debut at Brno as Edgardo in “Lucia di Lammermoor”. In 1856 he was engaged by the “Wiener Hofoper” where he was “first tenor” for a period of over 30 years. In 1875 he created the rôle of Assad in Goldmark’s “Die Königin von Saba”. He sang many Viennese premieres like Manrico in “Il Trovatore”, the Duke in “Rigoletto”, Riccardo in “Un Ballo in Maschera”, Vasco da Gama in “L’Africaine”, Walther von Stolzing in “Die Meistersinger von Nürnberg”, Wilhelm Meister in “Mignon” and Loge in “Das Rheingold”. In 1887 he gave his last performance at Vienna with the opera “Mignon”.
After his retirement from the stage he became a very successful concert singer (Liedersänger). There are 5 grammophone records of his voice from 1904 and 1906.
His son Raoul Walter (1865–1917) and his daughter Minna Walter (1863–1901) were also successful opera singers (as tenor and soprano).
In 1855 he made his debut at Brno as Edgardo in “Lucia di Lammermoor”. In 1856 he was engaged by the “Wiener Hofoper” where he was “first tenor” for a period of over 30 years. In 1875 he created the rôle of Assad in Goldmark’s “Die Königin von Saba”. He sang many Viennese premieres like Manrico in “Il Trovatore”, the Duke in “Rigoletto”, Riccardo in “Un Ballo in Maschera”, Vasco da Gama in “L’Africaine”, Walther von Stolzing in “Die Meistersinger von Nürnberg”, Wilhelm Meister in “Mignon” and Loge in “Das Rheingold”. In 1887 he gave his last performance at Vienna with the opera “Mignon”.
After his retirement from the stage he became a very successful concert singer (Liedersänger). There are 5 grammophone records of his voice from 1904 and 1906.
His son Raoul Walter (1865–1917) and his daughter Minna Walter (1863–1901) were also successful opera singers (as tenor and soprano).
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