Louisa Pyne by Mayer Brothers
Carolina Ferni by Sidoli (2)
Elena Verni by Aleksandrovski
Antonio Giuglini by Nelson & Marshall
Edouard Gassier by Unknown
Giovanni Mario by Caldesi Blanford & Co
Giovanni Mario by Negretti & Zambra
Enrico Tamberlick by Disdéri (6)
Giovanni Battista Belletti by King
Marietta Alboni by Disdéri (6)
Pauline Viardot-Garcia by Disdéri (7)
Giulia Grisi by Negretti & Zambra
Constance Nantier-Didiée by Negretti & Zambra
Marie Caroline Miolan-Carvalho by Silvy
Charlotte Sainton-Dolby by Silvy
Louise Liebhardt by Barrable
Carlotta Patti by Stereoscopic
Hermine Rudersdorff by Stereoscopic
Therese Tietjens by King
Therese Tietjens by Beau
Therese Tietjens by Pierson
Helen Lemmens-Sherrington by Stereoscopic
Helen Lemmens-Sherrington by Debenham
Fritz Heukeshoven by Bellson
Fritz Heukeshoven by Spalke & Kluge (4)
Fritz Heukeshoven by Kegel (11)
Fritz Heukeshoven by Kegel (10)
Fritz Heukeshoven by Kegel (9)
Fritz Heukeshoven by Kegel (8)
Fritz Heukeshoven by Kegel (7)
Fritz Heukeshoven by Kegel (6)
Fritz Heukeshoven by Kegel (5)
Fritz Heukeshoven by Kegel (4)
Fritz Heukeshoven by Kegel (3)
Fritz Heukeshoven by Kegel (2)
Fritz Heukeshoven by Kegel (1)
Fritz Heukeshoven by Spalke & Kluge (3)
Fritz Heukeshoven by Spalke & Kluge (2)
Fritz Heukeshoven by Spalke & Kluge (1)
Fritz Heukeshoven by Opitz (5)
Fritz Heukeshoven by Opitz (4)
Fritz Heukeshoven by Opitz (3)
Fritz Heukeshoven by Opitz (2)
Fritz Heukeshoven by Opitz (1)
Vilma Rafael by Kaldori
See also...
Authorizations, license
-
Visible by: Everyone -
All rights reserved
-
323 visits
Maurice Renaud by Duguy (2)
Maurice Renaud (1861-1933); French baritone.
In 1883 he made his début at Brussels (La Monnaie) and remained with that company until 1890. In 1884 he created at La Monnaie the rôle of the high priest of Odin in Ernest Reyer's “Sigurd” and in 1890 the rôle of Hamilcar in the première of Reyer’s “Salammbô”. He would re-appear at the Monnaie in the period 1908-14. In October 1890 he joined the Opéra-Comique making his debut as Karnac in Lalo’s “Le roi d’Ys”. The following year he moved to the Grand Opéra, making his debut as Nelusko in Meyerbeer’s “L'Africaine”. He continued to appear at the Grand Opéra regularly until 1914. He made guestappearances in London (Covent Garden), Milano (La Scala), Berlin (Royal Opera), St. Petersburg (Royal Opera) and in Monte Carlo. In New York he was engaged by the Manhattan Opera House (1906-1910) and the Metropolitan Opera (1910-1912); he made guest appareances at Boston, Chicago and New Orleans. In 1919 he retired from the stage.
On the photo he is seen as Hamlet in the eponymous opera by Ambroise Thomas.
Translate into English
In 1883 he made his début at Brussels (La Monnaie) and remained with that company until 1890. In 1884 he created at La Monnaie the rôle of the high priest of Odin in Ernest Reyer's “Sigurd” and in 1890 the rôle of Hamilcar in the première of Reyer’s “Salammbô”. He would re-appear at the Monnaie in the period 1908-14. In October 1890 he joined the Opéra-Comique making his debut as Karnac in Lalo’s “Le roi d’Ys”. The following year he moved to the Grand Opéra, making his debut as Nelusko in Meyerbeer’s “L'Africaine”. He continued to appear at the Grand Opéra regularly until 1914. He made guestappearances in London (Covent Garden), Milano (La Scala), Berlin (Royal Opera), St. Petersburg (Royal Opera) and in Monte Carlo. In New York he was engaged by the Manhattan Opera House (1906-1910) and the Metropolitan Opera (1910-1912); he made guest appareances at Boston, Chicago and New Orleans. In 1919 he retired from the stage.
On the photo he is seen as Hamlet in the eponymous opera by Ambroise Thomas.
- Keyboard shortcuts:
Jump to top
RSS feed- Latest comments - Subscribe to the comment feeds of this photo
- ipernity © 2007-2024
- Help & Contact
|
Club news
|
About ipernity
|
History |
ipernity Club & Prices |
Guide of good conduct
Donate | Group guidelines | Privacy policy | Terms of use | Statutes | In memoria -
Facebook
Twitter
Sign-in to write a comment.