Gustav Walter by Ramolini
Adolf Grimminger by Schönscheidt
Adolf Grimminger by Unknown
Amalie Boni-Bartel by Schumann
Ludwig Schnorr von Carolsfeld by Albert
Ludwig Schnorr von Carolsfeld by Holzer (1)
Malvina Garrigues by Holzer (1)
Magdalene Murjahn by Allgeyer
Jenny Soltana-Henz by Hertel (1)
Carrie Goldsticker-Lissner by Müller
Ernestina Gindele's autograph at the back
Ernestina Gindele by Székely
Marie Deetz by Siebe
Joseph Hauser by Unknown
Ferdinand Bohlig by Laurent
Wilhelm Brandes by Unknown
Karl Oberhoffer by Unknown
Max Staegemann by Giere
Franz Ferenczy by Unknown
Sophie Diez by Holz
Anna Braunhofer-Masius by Wagner
Therese Schneider by Wagner
Adolf Robinson by Gertinger
Gustav Walter by Luckhardt (1)
Franz Nachbaur by Pössenbacher
Benno Stolzenberg by Unknown
Lorenzo Riese by Schütz with autograph
Filippine von Edelsberg by Levinthal
Filippine von Edelsberg by Delabarre
Filippine von Edelsberg's autograph at the back
Marie Waldmann by Mondel & Jacob
Marie Waldmann's autograph at the back
Adele Benetti by Backofen
Francisco d'Andrade by Frau Anna Fröhlich
Francisco d'Andrade by Thiele & Opitz (1) with aut…
Francisco d'Andrade by Jenny Engel
Francisco d'Andrade by Thiele & Opitz (2)
Francisco d'Andrade by Thiele & Opitz (3)
Francisco d'Andrade by Bieber
Francisco d'Andrade by Thiele & Opitz (4)
Francisco d'Andrade by Thiele & Opitz (5)
Francisco d'Andrade by Kameke
Francisco d'Andrade by Schaarwächter (1)
Antonio Cotogni by Bergamasco
Maurice Renaud by Duguy (1)
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Gustav Walter by Luckhardt (2)
Gustav Walter (1834-1910); Bohemian tenor.
In 1855 he made his debut at Brno as Edgardo in “Lucia di Lammermoor”. In 1856 he was engaged by the “Wiener Hofoper” where he was “first tenor” for a period of over 30 years. In 1875 he created the rôle of Assad in Goldmark’s “Die Königin von Saba”. He sang many Viennese premieres like Manrico in “Il Trovatore”, the Duke in “Rigoletto”, Riccardo in “Un Ballo in Maschera”, Vasco da Gama in “L’Africaine”, Walther von Stolzing in “Die Meistersinger von Nürnberg”, Wilhelm Meister in “Mignon” and Loge in “Das Rheingold”. In 1887 he gave his last performance at Vienna with the opera “Mignon”.
After his retirement from the stage he became a very successful concert singer (Liedersänger). There are 5 grammophone records of his voice from 1904 and 1906.
His son Raoul Walter (1865–1917) and his daughter Minna Walter (1863–1901) were also successful opera singers (as tenor and soprano).
On the photo he is seen as Romeo in Gounod's "Romeo et Juliette".
In 1855 he made his debut at Brno as Edgardo in “Lucia di Lammermoor”. In 1856 he was engaged by the “Wiener Hofoper” where he was “first tenor” for a period of over 30 years. In 1875 he created the rôle of Assad in Goldmark’s “Die Königin von Saba”. He sang many Viennese premieres like Manrico in “Il Trovatore”, the Duke in “Rigoletto”, Riccardo in “Un Ballo in Maschera”, Vasco da Gama in “L’Africaine”, Walther von Stolzing in “Die Meistersinger von Nürnberg”, Wilhelm Meister in “Mignon” and Loge in “Das Rheingold”. In 1887 he gave his last performance at Vienna with the opera “Mignon”.
After his retirement from the stage he became a very successful concert singer (Liedersänger). There are 5 grammophone records of his voice from 1904 and 1906.
His son Raoul Walter (1865–1917) and his daughter Minna Walter (1863–1901) were also successful opera singers (as tenor and soprano).
On the photo he is seen as Romeo in Gounod's "Romeo et Juliette".
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