The Heaven or Hell?
I'll make it
Evening shadows
The Red Post Box
Three Slovaks in a café in Kutaisi
eye ✳ आँख ✳ oko ✳ 目 ✳ öga ✳ თვალი ✳ ojo
Yellow & Green
Back home
Camels III. (caravan)
Game of the Colours & Light
A Hostess
Why do mainland Chinese squat on the streets?
Proud as the King of fowl
Where you can see the sea from the mountains
Game of pebbles
These kids must be grown ups by now
Two strong men... and candies
Humde airport from the way to Upper Pisang, trekki…
Peacock in action
Carpathians ⽊ between Bratislava and Stupava
拆 [chāi] 1. verb [打开] tear … open 2. verb [拆毁] dis…
Sky, water and buffalo
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Mom and aunt Iva
The 1960s brought winds of cultural and social change around the world, which also reached communist Czechoslovakia. While restrictions were loosening during the Prague Spring of 1968, shorter skirts and fashions from the West challenged traditional norms.
Younger Czechs and Slovaks enthusiastically embraced youthful styles like mini skirts paired with boots, viewing them as freedoms long denied under communist rule. However, shorter skirts tended to be worn only privately or when socializing, remaining largely unacceptable in schools, workplaces or formal settings. State authorities and older generations saw them as symbols of Western decadence and individualism, clashing with the regime’s values of modesty and conformity.
So while avantgarde designers like Mary Quant inspired Czech/Slovak fashion followers, uptake of radically short skirts was generally more underground. Most women navigated a delicate balance, cautiously adopting modern fashion elements from the West while paying lip service to communist dress codes and sensibilities in public life. Shorter skirts may have represented liberty for youth cultures, but came with an implicit risk of censure for being perceived as anti-socialist, dissident behaviors.
The complex politics around fashion leave the popularity of 1960s mini skirts in Czechoslovakia is difficult to fully assess from a modern-day vantage point.
Younger Czechs and Slovaks enthusiastically embraced youthful styles like mini skirts paired with boots, viewing them as freedoms long denied under communist rule. However, shorter skirts tended to be worn only privately or when socializing, remaining largely unacceptable in schools, workplaces or formal settings. State authorities and older generations saw them as symbols of Western decadence and individualism, clashing with the regime’s values of modesty and conformity.
So while avantgarde designers like Mary Quant inspired Czech/Slovak fashion followers, uptake of radically short skirts was generally more underground. Most women navigated a delicate balance, cautiously adopting modern fashion elements from the West while paying lip service to communist dress codes and sensibilities in public life. Shorter skirts may have represented liberty for youth cultures, but came with an implicit risk of censure for being perceived as anti-socialist, dissident behaviors.
The complex politics around fashion leave the popularity of 1960s mini skirts in Czechoslovakia is difficult to fully assess from a modern-day vantage point.
Nina Stefanova, Berny, Ronald Stachowiak, Günter Klaus and 17 other people have particularly liked this photo
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Mein fröhlicher Freund...ich wünsch Dir alles Gute für das kommende Jahr....bleib gesund und so besonders wie Du bist....und ich hab leider nie Miniröcke getragen....war schon immer zu rund :)))
Happy 2024 Dir!
Wünsche noch einen schönen Abend,liebe Grüße Güni :))
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