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P.R.Baptista

P.R.Baptista

Posted: 16 Dec 2010

Taken: 16 Dec 2010

8 favorites     5 comments    975 visits

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Cartier-Bresson

Cartier-Bresson
"Hyères, France" (1932) -.© Henri Cartier-Bresson/Magnum Photos, Fondation Henri Cartier-Bresson

A photography, as far as it entries into the realm of art, is forever. It will be seen for generations even if without being possible to conclude completely what, exactly, makes it so attractive. These photographs are, however, only a very little proportion among the almost infinite number of photographs that are possible to produce today. The difference is that while these later disappear as soon as they are produced, the former will remain as references of our aesthetic perception of the world.

P.R.Baptista
REVIEWED PHOTOGRAPHY
https://www.ipernity.com/group/91535

, , , Klimt and 4 other people have particularly liked this photo

Comments
 Armando Taborda
Armando Taborda club
...a obra de arte só existe no acto da sua criação...depois é mera fotografia (exemplar ou não)...pelo mesmo motivo que o poema ou texto só existe enquanto lido, e a música enquanto ouvida...
13 years ago.
 P.R.Baptista
P.R.Baptista
... e a fotografia enquanto vista... mas com o que eu me debato é buscar em cada obra de arte aquilo que a torna tão imprescindível a ponto, em muitos casos, de necessitarmos de sua presença tão frequentemente quanto possível...aliás isto é parte da questão, assim como somos compelidos a ouvir os mesmos concertos de Bach ou de Mozart pela vida inteira, algumas fotos igualmente necessitamos, periodicamente, rever para buscar extrair de sua visão sempre renovadas descobertas...
13 years ago.
 Christel Ehretsmann
Christel Ehretsmann club
wonderful work !
13 years ago.
 P.R.Baptista
P.R.Baptista
... one of my favorites... as if all Bresson's photos were not my favorites ...
13 years ago. Edited 13 years ago.
 P.R.Baptista
P.R.Baptista
Accordingly Carol Strickland, "Hyères, France" (1932) is an arresting image of a boy whizzing by on a bicycle. The camera literally arrests his speed as he rounds a curve, which elegantly echoes a flight of stairs spiraling down.
"I prowled the streets all day," Cartier-Bresson explained, "feeling very strung up and ready to pounce, determined to 'trap' life – to preserve life in the act of living." One can almost see him roaming the boulevards, stalking his prey: juxtapositions that yield surprising epiphanies,

REVIEWED PHOTOGRAPHY
https://www.ipernity.com/group/91535
13 years ago.

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