Tauriac - Saint-Etienne
León - Basílica de San Isidoro
Surgères - Notre-Dame
Castelviel - L'église Notre-Dame
Lyon - Musée des Beaux-Arts
León - Basílica de San Isidoro
Vouvant - Notre-Dame
Thouars - Saint-Médard
Oyré - Saint-Sulpice
Oloriz - San Bartolomé
Oloriz - San Pedro de Echano
Oloriz - San Pedro de Echano
Huesca - San Pedro el Viejo
Saint-Marcouf - Saint-Marcouf
Lessay - Abbay Sainte-Trinité
Savigny - Notre-Dame
Muenster - Cathedral
Le Mans - Saint-Julien du Mans
Moradillo de Sedano - San Esteban
Poitiers - Sainte-Radegonde
Saint-Hilaire-la-Croix
Dolianova - Cattedrale di San Pantaleo
Clermont-l'Hérault - Collégiale Saint-Paul
La Celle - Saint-Blaise
Rouffach - Notre Dame de l'Assomption
Surgères - Notre-Dame
Avy - Notre-Dame
Ancona - Santa Maria della Piazza
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Rioux - Notre-Dame de l’Assomption
Not much is known about the history of Notre-Dame de l’Assomption, an outstanding example of the specific "style saintongeais".
As the structure is so masterly built and has such sophisticated carvings, it is believed, that this was a priory church, when it was built mid of the 12th century.
The apse of Notre-Dame de l’Assomption has an enormous richness on Romanesque carvings. Some corbels depict musicians and acrobats. This musician plays the vielle. The posture is typical for violinists today.
As the structure is so masterly built and has such sophisticated carvings, it is believed, that this was a priory church, when it was built mid of the 12th century.
The apse of Notre-Dame de l’Assomption has an enormous richness on Romanesque carvings. Some corbels depict musicians and acrobats. This musician plays the vielle. The posture is typical for violinists today.
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